|
|
|
|
Gain access to this incredible resource through either a monthly or a yearly subscription and search the entire collection from your desktop, compare multiple images side by side and zoom into the minute details of the images. Visit www.davidrumsey.com/amica for more information on the collection, click on the link below the revolving thumbnail to the right, or email us at amica@luna-img.com . Creator Nationality: Asian; Indian Sub-Continent; Indian Creator Dates/Places: South India Creator Active Place: South India Creator Name-CRT: South India, Chola Period, 11th century Title: Shiva Nataraja: Lord of the Dance Title Type: Primary View: Full View Creation Start Date: 1000 Creation End Date: 1099 Creation Date: 11th century Object Type: Sculpture Materials and Techniques: copper Dimensions: Overall: 111.5cm x 101.65cm AMICA Contributor: The Cleveland Museum of Art Owner Location: Cleveland, Ohio, USA ID Number: 1930.331 Credit Line: Purchase from the J. H. Wade Fund Rights: http://www.clemusart.com/museum/disclaim2.html Context: Shiva (the destroyer) shares the divine trinity of Hinduism with Brahma (the creator) and Vishnu (the preserver). At the end of each kalpa (cycle) the world goes through, according to Hindu eschatology, it is destroyed and procreated (as is the case with individual beings who are reborn). In the iconography of Nataraja, he is a supreme deity who at once destroys and procreates the universe. His dance signifies the passage of Time (kala) and embodies Shiva's five-fold activities involved in the process of creation. The drum (damaru), held in his upper right hand, the source of sound vibrating within space, is symbolic of creation. The "fear-not" gesture (abhaya hasta), expressed by his other right hand, offers protection to his subjects. The flame (agni)held in the palm of his upper left hand, identical to the flames encircling the mandorla within which he dances, symbolizes the world's destruction--but with the promise of procreation. The second left arm, crossing the body and pointing down to his aloftleft foot (gaja hasta), refers to the illusionistic character of this world, while the foot symbolizes the final release, promising salvation of the soul. The dwarf upon whom he tramples in his dance signifies the destruction of evil. Bronzes produced inSouth India during the Chola period are among some of the most accomplished metal sculptures ever made in India, as well as worldwide. The extant images of Shiva are particularly notable for their large size, tensile strength, and vigorous sense of movement. This Nataraja represents an earlier Chola style, possibly made during the reign of the Rajaraja the Great, who was the builder of the famous Brihadeshvara Temple in Tanjor around AD 1000, the period that produced some of the greatest Chola bronzes. S.C. AMICA ID: CMA_.1930.331 AMICA Library Year: 1998 Media Metadata Rights: Copyright, The Cleveland Museum of Art AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder. Home
| Subscribe
| Preview
| Benefits
| About
| Help
| Contact |
