This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library), a growing online collection of high-quality, digital art images from over 20 museums around the world.
www.davidrumsey.com/amica offers subscriptions to this collection, the finest art image database available on the internet. EVERY image has full curatorial text and can be studied in depth by zooming into the smallest details from within the Image Workspace.
- Cultures and time periods represented
range from contemporary art, to ancient Greek, Roman, and Egyptian works.
- Types of works include paintings, drawings,
watercolors, sculptures, costumes, jewelry, furniture, prints, photographs,
textiles, decorative art, books and manuscripts.
Gain access to this incredible resource through either a
monthly or a yearly subscription and search the entire collection from
your desktop, compare multiple images side by side and zoom into the minute
details of the images. Visit www.davidrumsey.com/amica
for more information on the collection, click on the link below the
revolving thumbnail to the right, or email us at amica@luna-img.com
.
Creator Name: Mount, William Sidney
Creator Nationality: North American; American
Creator Role: Artist
Creator Dates/Places: 1807 - 1868
Gender: M
Creator Name-CRT: William Sidney Mount
Title: The Power of Music
Title Type: Primary
View: Full View
Creation Start Date: 1847
Creation End Date: 1847
Creation Date: 1847
Object Type: Paintings
Materials and Techniques: oil on canvas
Dimensions: Unframed: 43.4cm x 53.5cm
Inscriptions: signed lower left: Wm S. MOUNT. / 1847
AMICA Contributor: The Cleveland Museum of Art
Owner Location: Cleveland, Ohio, USA
ID Number: 1991.110
Credit Line: Leonard C. Hanna, Jr. Fund
Rights: http://www.clemusart.com/museum/disclaim2.html
Context: Set in rural New York before the Civil War, this scene of a man eavesdropping on a pensive fiddle tune speaks eloquently of the divisive race relations in America. While music connects the men, they occupy different spaces. The painting thus parallels the sentiments of the state's constitutional convention in 1846, which denied free blacks the right to vote, judging them to be "among, but not of us." Such a painting of separate but peaceful coexistence offered its original white audience a deceptivelysimple solution to the North's difficult social problems. Every aspect of the African-American man's pose and expression indicated his knowledge and appreciation of what he hears.
AMICA ID: CMA_.1991.110
AMICA Library Year: 1998
Media Metadata Rights:
Copyright, The Cleveland Museum of Art
AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder.
Home
| Subscribe
| Preview
| Benefits
| About
| Help
| Contact
Copyright © 2007 Cartography Associates.
All rights reserved.
|