COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
MIA_.74.46
amicoid
MIA_.74.46
AMICA ID
false
AMICA Library Year:
1998
aly
1998
AMICA Library Year
false
Object Type:
Sculpture
oty
Sculpture
Object Type
false
Creator Name:
Unknown
crn
Unknown
Creator Name
false
Creator Nationality:
European; Southern European; Apulian
crc
European; Southern European; Apulian
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Name-CRT:
artist unknown
crt
artist unknown
Creator Name-CRT
false
Title:
Votive Portrait Head of a Young Woman
otn
Votive Portrait Head of a Young Woman
Title
false
View:
Front
rid
Front
View
false
Creation Date:
400 B.C. - 350 B.C.
oct
400 B.C. - 350 B.C.
Creation Date
false
Creation Start Date:
-400
ocs
-400
Creation Start Date
false
Creation End Date:
-350
oce
-350
Creation End Date
false
Materials and Techniques:
terracotta
omd
terracotta
Materials and Techniques
false
Dimensions:
H.10-1/2 x W.7 x D.8 in.
met
H.10-1/2 x W.7 x D.8 in.
Dimensions
false
Component Measured:
overall
mcm
overall
Component Measured
false
Measurement Unit:
in
mdu
in
Measurement Unit
false
AMICA Contributor:
The Minneapolis Institute of Arts
oon
The Minneapolis Institute of Arts
AMICA Contributor
false
Owner Location:
Minneapolis, Minnesota, USA
oop
Minneapolis, Minnesota, USA
Owner Location
false
ID Number:
74.46
ooa
74.46
ID Number
false
Credit Line:
The John R. Van Derlip Fund
ooc
The John R. Van Derlip Fund
Credit Line
false
Rights:
orl
<a href="http://www.artsmia.org/restrictions.html"target="_new">http://www.artsmia.org/restrictions.html</a>
Rights
false
Context:
The term votive refers to sculpture or other images or offerings donated by an individual for a public place, especially in gratitude for deliverance from distress.
Votive sculpture sometimes served as a stand-in for the donor, taking the place of the real person at a temple or shrine. However, Greek sculptors in the fifth and fourth centuries B.C. greatly enhanced the actual appearance of prominent people in their sculptures by avoiding signs of aging and emotion. Such marks were restricted to socially less acceptable figures like satyrs, slaves, or enemies. Portraits were not real likenesses, but rather ideal social stereotypes transmitted by the sculptor.
cxd
<P>The term votive refers to sculpture or other images or offerings donated by an individual for a public place, especially in gratitude for deliverance from distress.</P><P>Votive sculpture sometimes served as a stand-in for the donor, taking the place of the real person at a temple or shrine. However, Greek sculptors in the fifth and fourth centuries B.C. greatly enhanced the actual appearance of prominent people in their sculptures by avoiding signs of aging and emotion. Such marks were restricted to socially less acceptable figures like satyrs, slaves, or enemies. Portraits were not real likenesses, but rather ideal social stereotypes transmitted by the sculptor.</P>
Context
false
Related Image Identifier Link:
MIA_.1732c.tif
ril
MIA_.1732c.tif
Related Image Identifier Link
false