COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
MIA_.75.53
amicoid
MIA_.75.53
AMICA ID
false
AMICA Library Year:
2003
aly
2003
AMICA Library Year
false
Object Type:
Paintings
oty
Paintings
Object Type
false
Creator Name:
di Maestro Antonio d'Ancona Nicola
crn
di Maestro Antonio d'Ancona Nicola
Creator Name
false
Creator Nationality:
Italian (Padua) / East Central Italy (The Marches), Venice
crc
Italian (Padua) / East Central Italy (The Marches), Venice
Creator Nationality
false
Creator Role:
Artist
crr
Artist
Creator Role
false
Creator Dates/Places:
1460 - 1460
cdt
1460 - 1460
Creator Dates/Places
false
Creator Name-CRT:
Nicola di Maestro Antonio d'Ancona
crt
Nicola di Maestro Antonio d'Ancona
Creator Name-CRT
false
Title:
Madonna and Child Enthroned
otn
Madonna and Child Enthroned
Title
false
View:
Front
rid
Front
View
false
Creation Date:
c. 1490
oct
c. 1490
Creation Date
false
Creation Start Date:
1480
ocs
1480
Creation Start Date
false
Creation End Date:
1500
oce
1500
Creation End Date
false
Materials and Techniques:
Tempera and oil on panel
omd
Tempera and oil on panel
Materials and Techniques
false
Classification Term:
Painting
clt
Painting
Classification Term
false
Dimensions:
55 3/4 x 21 1/4 in. (141.61 x 53.98 cm) (panel)63 1/2 x 26 1/4 x 2 5/16 in. (161.29 x 66.68 x 5.87 cm) (outer frame)
met
55 3/4 x 21 1/4 in. (141.61 x 53.98 cm) (panel)63 1/2 x 26 1/4 x 2 5/16 in. (161.29 x 66.68 x 5.87 cm) (outer frame)
Dimensions
false
AMICA Contributor:
The Minneapolis Institute of Arts
oon
The Minneapolis Institute of Arts
AMICA Contributor
false
Owner Location:
Minneapolis, Minnesota, USA
oop
Minneapolis, Minnesota, USA
Owner Location
false
ID Number:
75.53
ooa
75.53
ID Number
false
Credit Line:
The John R. Van Derlip Fund
ooc
The John R. Van Derlip Fund
Credit Line
false
Inscriptions:
Inscribed:Inscription (halo around the Madonna's head): [Ave Maria gratia plena do] (minus 'tecum')
oin
Inscribed:Inscription (halo around the Madonna's head): [Ave Maria gratia plena do] (minus 'tecum')
Inscriptions
false
Rights:
orl
<a href="http://www.artsmia.org/restrictions.cfm"target="_new">http://www.artsmia.org/restrictions.cfm</a>
Rights
false
Provenance:
Lady Arundell, Wardour, England; Stonyhurst College, Whalley, Lancashire, England by c. 1900;[1] (Sir George Donaldson by c. 1900).[2] Sir Joseph B. Robinson, Bart., Cape Town, South Africa, purchased before 1910; (Robinson sale through Christie's, London, July 6, 1923, no. 38 as 'Carlo Crivelli' [bought in]);[3] Princess Labia, by inheritance by 1967; (Princess Labia sale through Sotheby's, London, December 6, 1967, lot 24, repr.); J. S. Lewis. (Wildenstein and Co., Inc., New York, New York by 1975); purchased by MIA in 1975.[1] The Robinson sale catalogue confirms that the work was purchased in Rome around 1820 and given to Stonyhurst by the Dowager Lady Arundel.[2] Sir George Donaldson may possibly have been an art dealer. [3] Photocopy of auction catalogue in curatorial file. Ellis Waterhouse's annotated copy of the catalogue states, "Not wishing to sell at the last minute, he put on absurd reserves so that most of the pictures were bought in. After Robinson's death, one of his daughters, Countess Labia, bought out the shares of the rest of the family and took the whole collection out to Capetown. (As a matter of fact, I believe they remained in store in London). ..All had been put in store in London in 1910 - i.e. bought before then. Beginning to buy around 1895." The work was bought in, but the catalogue is annotated with 'Bainbridge'.
opo
Lady Arundell, Wardour, England; Stonyhurst College, Whalley, Lancashire, England by c. 1900;[1] (Sir George Donaldson by c. 1900).[2] Sir Joseph B. Robinson, Bart., Cape Town, South Africa, purchased before 1910; (Robinson sale through Christie's, London, July 6, 1923, no. 38 as 'Carlo Crivelli' [bought in]);[3] Princess Labia, by inheritance by 1967; (Princess Labia sale through Sotheby's, London, December 6, 1967, lot 24, repr.); J. S. Lewis. (Wildenstein and Co., Inc., New York, New York by 1975); purchased by MIA in 1975.[1] The Robinson sale catalogue confirms that the work was purchased in Rome around 1820 and given to Stonyhurst by the Dowager Lady Arundel.[2] Sir George Donaldson may possibly have been an art dealer. [3] Photocopy of auction catalogue in curatorial file. Ellis Waterhouse's annotated copy of the catalogue states, "Not wishing to sell at the last minute, he put on absurd reserves so that most of the pictures were bought in. After Robinson's death, one of his daughters, Countess Labia, bought out the shares of the rest of the family and took the whole collection out to Capetown. (As a matter of fact, I believe they remained in store in London). ..All had been put in store in London in 1910 - i.e. bought before then. Beginning to buy around 1895." The work was bought in, but the catalogue is annotated with 'Bainbridge'.
Provenance
false
Exhibition History:
- New Treasures exhibition, (March 3, 1978).
oeh
- New Treasures exhibition, (March 3, 1978).
Exhibition History
false
Related Image Identifier Link:
MIA_.11442c.tif
ril
MIA_.11442c.tif
Related Image Identifier Link
false