COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
MIA_.92.103.15
amicoid
MIA_.92.103.15
AMICA ID
false
AMICA Library Year:
2001
aly
2001
AMICA Library Year
false
Object Type:
Sculpture
oty
Sculpture
Object Type
false
Creator Name:
artist unknown
crn
artist unknown
Creator Name
false
Creator Nationality:
Asian; Far East Asian; Chinese
crc
Asian; Far East Asian; Chinese
Creator Nationality
false
Creator Name-CRT:
artist unknown
crt
artist unknown
Creator Name-CRT
false
Title:
Mountain Scene
otn
Mountain Scene
Title
false
View:
Front
rid
Front
View
false
Creation Date:
17th century - 18th century
oct
17th century - 18th century
Creation Date
false
Creation Start Date:
1600
ocs
1600
Creation Start Date
false
Creation End Date:
1799
oce
1799
Creation End Date
false
Materials and Techniques:
nephrite
omd
nephrite
Materials and Techniques
false
Dimensions:
H.8-1/4 in.
met
H.8-1/4 in.
Dimensions
false
Component Measured:
Height only
mcm
Height only
Component Measured
false
Measurement Unit:
in
mdu
in
Measurement Unit
false
AMICA Contributor:
The Minneapolis Institute of Arts
oon
The Minneapolis Institute of Arts
AMICA Contributor
false
Owner Location:
Minneapolis, Minnesota, USA
oop
Minneapolis, Minnesota, USA
Owner Location
false
ID Number:
92.103.15
ooa
92.103.15
ID Number
false
Credit Line:
The John R. Van Derlip Fund and Gift of the Thomas Barlow Walker Foundation
ooc
The John R. Van Derlip Fund and Gift of the Thomas Barlow Walker Foundation
Credit Line
false
Rights:
orl
<a href="http://www.artsmia.org/restrictions.html"target="_new">http://www.artsmia.org/restrictions.html</a>
Rights
false
Context:
In this mountain scene, an official riding a donkey is followed by his attendant who carries an umbrella; they cross a rustic bridge over a waterfall. Above them a similar group in smaller scale, as if in the far distance, crosses another bridge. This type of jade mountain had its beginnings in the late Ming period. The setting, with its figures, trees, bridges and animals, represents a translation of the orthodox landscape painting tradition into jade sculpture. Numerous depictions similar to this one of scholars traveling in or contemplating mountain scenery can be found in paintings of the period. The theme of humankind's harmony with nature was favored by the Taoists and the literati.
cxd
<P>In this mountain scene, an official riding a donkey is followed by his attendant who carries an umbrella; they cross a rustic bridge over a waterfall. Above them a similar group in smaller scale, as if in the far distance, crosses another bridge. This type of jade mountain had its beginnings in the late Ming period. The setting, with its figures, trees, bridges and animals, represents a translation of the orthodox landscape painting tradition into jade sculpture. Numerous depictions similar to this one of scholars traveling in or contemplating mountain scenery can be found in paintings of the period. The theme of humankind's harmony with nature was favored by the Taoists and the literati.</P>
Context
false
Related Image Identifier Link:
MIA_.5665c.tif
ril
MIA_.5665c.tif
Related Image Identifier Link
false