COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
MIA_.94.30.3
amicoid
MIA_.94.30.3
AMICA ID
false
AMICA Library Year:
2003
aly
2003
AMICA Library Year
false
Object Type:
Sculpture
oty
Sculpture
Object Type
false
Creator Name:
Biederman Charles
crn
Biederman Charles
Creator Name
false
Creator Nationality:
American
crc
American
Creator Nationality
false
Creator Role:
Artist
crr
Artist
Creator Role
false
Creator Dates/Places:
born 1906
cdt
born 1906
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Charles Biederman
crt
Charles Biederman
Creator Name-CRT
false
Title:
Relief, New York, 1936
otn
Relief, New York, 1936
Title
false
View:
Front
rid
Front
View
false
Creation Date:
1936
oct
1936
Creation Date
false
Creation Start Date:
1936
ocs
1936
Creation Start Date
false
Creation End Date:
1936
oce
1936
Creation End Date
false
Materials and Techniques:
Enamel on wood
omd
Enamel on wood
Materials and Techniques
false
Classification Term:
Sculpture
clt
Sculpture
Classification Term
false
Dimensions:
45 3/4 x 10 in. (116.2 x 25.4 cm)
met
45 3/4 x 10 in. (116.2 x 25.4 cm)
Dimensions
false
AMICA Contributor:
The Minneapolis Institute of Arts
oon
The Minneapolis Institute of Arts
AMICA Contributor
false
Owner Location:
Minneapolis, Minnesota, USA
oop
Minneapolis, Minnesota, USA
Owner Location
false
ID Number:
94.30.3
ooa
94.30.3
ID Number
false
Credit Line:
Gift of Ruth and Bruce Dayton
ooc
Gift of Ruth and Bruce Dayton
Credit Line
false
Copyright:
(c)Copyright Charles Biederman
ors
(c)Copyright Charles Biederman
Copyright
false
Rights:
orl
<a href="http://www.artsmia.org/restrictions.cfm"target="_new">http://www.artsmia.org/restrictions.cfm</a>
Rights
false
Context:
This relief sculpture, primarily a vertical view of Manhattan's skyscrapers, is one of Charles Biederman's earliest experiments with radically abstracted forms. Inspired by the paintings of Fernand Léger and Juan Gris, Biederman was first exposed to Cubism in New York City in the mid-1930s. The Cubists' fracturing of ordinary forms, as well as the geometric abstractions of Piet Mondrian, influenced Biederman to develop his own personal blend of these styles.Biederman also spent several years in Europe, where his fascination with the landscapes of such artists as Paul Cézanne compelled him to apply his technique to the study of nature. For the past fifty years, Biederman has lived in the small town of Red Wing, Minnesota, where he seeks to capture nature's underlying structure in three-dimensional form.
cxd
This relief sculpture, primarily a vertical view of Manhattan's skyscrapers, is one of Charles Biederman's earliest experiments with radically abstracted forms. Inspired by the paintings of Fernand Léger and Juan Gris, Biederman was first exposed to Cubism in New York City in the mid-1930s. The Cubists' fracturing of ordinary forms, as well as the geometric abstractions of Piet Mondrian, influenced Biederman to develop his own personal blend of these styles.Biederman also spent several years in Europe, where his fascination with the landscapes of such artists as Paul Cézanne compelled him to apply his technique to the study of nature. For the past fifty years, Biederman has lived in the small town of Red Wing, Minnesota, where he seeks to capture nature's underlying structure in three-dimensional form.
Context
false
Exhibition History:
None.
oeh
None.
Exhibition History
false
Related Image Identifier Link:
MIA_.6536c.tif
ril
MIA_.6536c.tif
Related Image Identifier Link
false