Nocturne: Palaces (The First Venice Set)

COLLECTION NAME:

The AMICA Library

mediaCollectionId

AMICO~1~1

The AMICA Library

Collection

true

AMICA ID:

MIA_.P.4,584

amicoid

MIA_.P.4,584

AMICA ID

false

AMICA Library Year:

1999

aly

1999

AMICA Library Year

false

Object Type:

Prints

oty

Prints

Object Type

false

Creator Name:

Whistler, James Abbott McNeill

crn

Whistler, James Abbott McNeill

Creator Name

false

Creator Nationality:

North American; American

crc

North American; American

Creator Nationality

false

Creator Role:

artist

crr

artist

Creator Role

false

Creator Dates/Places:

1834 - 1903

cdt

1834 - 1903

Creator Dates/Places

false

Gender:

M

cgn

M

Gender

false

Creator Name-CRT:

James Abbot McNeill Whistler

crt

James Abbot McNeill Whistler

Creator Name-CRT

false

Title:

Nocturne: Palaces (The First Venice Set)

otn

Nocturne: Palaces (The First Venice Set)

Title

false

View:

Front

rid

Front

View

false

Creation Date:

1879 - 1880

oct

1879 - 1880

Creation Date

false

Creation Start Date:

1879

ocs

1879

Creation Start Date

false

Creation End Date:

1880

oce

1880

Creation End Date

false

Materials and Techniques:

etching and drypoint

omd

etching and drypoint

Materials and Techniques

false

Dimensions:

H.11-1/2 x W.7-13/16 in.

met

H.11-1/2 x W.7-13/16 in.

Dimensions

false

Measurement Unit:

in

mdu

in

Measurement Unit

false

AMICA Contributor:

The Minneapolis Institute of Arts

oon

The Minneapolis Institute of Arts

AMICA Contributor

false

Owner Location:

Minneapolis, Minnesota, USA

oop

Minneapolis, Minnesota, USA

Owner Location

false

ID Number:

P.4,584

ooa

P.4,584

ID Number

false

Credit Line:

The William M. Ladd Collection, Gift of Herschel V. Jones

ooc

The William M. Ladd Collection, Gift of Herschel V. Jones

Credit Line

false

Rights:

http://www.artsmia.org/restrictions.html

orl

<a href="http://www.artsmia.org/restrictions.html"target="_new">http://www.artsmia.org/restrictions.html</a>

Rights

false

Context:

The mysterious mood of this etching depends largely on the inking of the plate. During the printing process, Whistler left a substantial ink residue on the surface of the copper to achieve areas of darkened value, a technique known as plate tone. This etching, published in the Second Venice Set, has been recently identified as a view of the Rio di San Severo.

cxd

<P>The mysterious mood of this etching depends largely on the inking of the plate. During the printing process, Whistler left a substantial ink residue on the surface of the copper to achieve areas of darkened value, a technique known as plate tone. This etching, published in the Second Venice Set, has been recently identified as a view of the Rio di San Severo.</P>

Context

false

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Nocturne: Palaces (The First Venice Set)