COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
MMA_.14.40.623
amicoid
MMA_.14.40.623
AMICA ID
false
AMICA Library Year:
2000
aly
2000
AMICA Library Year
false
Object Type:
Paintings
oty
Paintings
Object Type
false
Creator Name:
Ruisdael, Jacob van
crn
Ruisdael, Jacob van
Creator Name
false
Creator Nationality:
European; Dutch
crc
European; Dutch
Creator Nationality
false
Creator Role:
Artist
crr
Artist
Creator Role
false
Creator Dates/Places:
Dutch, 1628/29-1682
cdt
Dutch, 1628/29-1682
Creator Dates/Places
false
Creator Name-CRT:
Jacob Isaacksz. van Ruisdael
crt
Jacob Isaacksz. van Ruisdael
Creator Name-CRT
false
Title:
Wheat Fields
otn
Wheat Fields
Title
false
View:
Full View
rid
Full View
View
false
Creation Date:
ca. 1670
oct
ca. 1670
Creation Date
false
Creation Start Date:
1660
ocs
1660
Creation Start Date
false
Creation End Date:
1680
oce
1680
Creation End Date
false
Materials and Techniques:
Oil on canvas
omd
Oil on canvas
Materials and Techniques
false
Dimensions:
39 3/8 x 51 1/4 in. (100 x 130.2 cm)
met
39 3/8 x 51 1/4 in. (100 x 130.2 cm)
Dimensions
false
AMICA Contributor:
The Metropolitan Museum of Art
oon
The Metropolitan Museum of Art
AMICA Contributor
false
Owner Location:
New York, New York, USA
oop
New York, New York, USA
Owner Location
false
ID Number:
14.40.623
ooa
14.40.623
ID Number
false
Credit Line:
Bequest of Benjamin Altman, 1913
ooc
Bequest of Benjamin Altman, 1913
Credit Line
false
Rights:
orl
<a href="http://www.metmuseum.org/"target="_new">http://www.metmuseum.org/</a>
Rights
false
Context:
This large canvas of about 1670 is Ruisdael's most ambitious view of grain fields, a subject he treated frequently. The monumental design, with its centralized recession into space, might have been intended for a particular location, perhaps above a mantelpiece. During the seventeenth century, paintings of this size were usually hung high.
cxd
<P>This large canvas of about 1670 is Ruisdael's most ambitious view of grain fields, a subject he treated frequently. The monumental design, with its centralized recession into space, might have been intended for a particular location, perhaps above a mantelpiece. During the seventeenth century, paintings of this size were usually hung high.</P>
Context
false
Related Image Identifier Link:
MMA_.ep14.40.623.R.tif
ril
MMA_.ep14.40.623.R.tif
Related Image Identifier Link
false