COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
ASIA.1979.093a-b
amicoid
ASIA.1979.093a-b
AMICA ID
false
AMICA Library Year:
1998
aly
1998
AMICA Library Year
false
Object Type:
Decorative Arts and Utilitarian Objects
oty
Decorative Arts and Utilitarian Objects
Object Type
false
Creator Nationality:
Asian; Southeast Asian; Thai
crc
Asian; Southeast Asian; Thai
Creator Nationality
false
Creator Name-CRT:
Thai
crt
Thai
Creator Name-CRT
false
Title:
Covered Jar
otn
Covered Jar
Title
false
View:
Full view
rid
Full view
View
false
Creation Date:
15th-16th century
oct
15th-16th century
Creation Date
false
Creation Start Date:
1400
ocs
1400
Creation Start Date
false
Creation End Date:
1599
oce
1599
Creation End Date
false
Materials and Techniques:
Stoneware with incised design under glaze (Si Satchanalai ware)
omd
Stoneware with incised design under glaze (Si Satchanalai ware)
Materials and Techniques
false
Classification Term:
Ceramics
clt
Ceramics
Classification Term
false
Creation Place:
Thailand
ocp
Thailand
Creation Place
false
Dimensions:
H. 6 in. (15.2 cm) including cover; D. 4 1/2 in. (11.4 cm)
met
H. 6 in. (15.2 cm) including cover; D. 4 1/2 in. (11.4 cm)
Dimensions
false
AMICA Contributor:
Asia Society
oon
Asia Society
AMICA Contributor
false
Owner Location:
New York, New York, USA
oop
New York, New York, USA
Owner Location
false
ID Number:
1979.093a-b
ooa
1979.093a-b
ID Number
false
Credit Line:
Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection
ooc
Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection
Credit Line
false
Rights:
orl
<a href="http://www.asiasociety.org"target="_new">http://www.asiasociety.org</a>
Rights
false
Context:
The history of pottery in Southeast Asia reflects complicated relationships among the ceramics of the region's different countries and peoples, as well as with the ceramics of China to the north. The flourishing of a ceramic industry in north-central Thailand during the 14th through 16th centuries and possibly later has been attributed to Chinese trade policies, particularly green-glazed wares such as this covered jar. Often called celadons in the West (after a character in a 17th-century French play who wore a green costume), green-glazed ceramics can be traced back to early periods in Chinese history, some manufactured specifically for export throughout Asia. The most famous of the Thai green-glazed ceramics are known both as Sawankhalok and as Si Satchanalai. Sawankhalok is the current name of the region where they were produced. During the time of the Sukhothai empire (c. 1350-1451), this area was known as Si Satchanalai, a designation now commonly used for these works. Recent archaeological findings suggest that several hundred kilns were active in this region, producing many types of ceramics in addition to the famed green-glazed wares. This small covered jar is characteristic of Si Satchanalai pieces, particularly those intended for export to Indonesia and the Philippines. The jar is covered with an olive-colored glaze and potted using a fairly grainy, dark buff-colored clay that contains traces of red.
cxd
The history of pottery in Southeast Asia reflects complicated relationships among the ceramics of the region's different countries and peoples, as well as with the ceramics of China to the north. The flourishing of a ceramic industry in north-central Thailand during the 14th through 16th centuries and possibly later has been attributed to Chinese trade policies, particularly green-glazed wares such as this covered jar. Often called celadons in the West (after a character in a 17th-century French play who wore a green costume), green-glazed ceramics can be traced back to early periods in Chinese history, some manufactured specifically for export throughout Asia. The most famous of the Thai green-glazed ceramics are known both as Sawankhalok and as Si Satchanalai. Sawankhalok is the current name of the region where they were produced. During the time of the Sukhothai empire (c. 1350-1451), this area was known as Si Satchanalai, a designation now commonly used for these works. Recent archaeological findings suggest that several hundred kilns were active in this region, producing many types of ceramics in addition to the famed green-glazed wares. This small covered jar is characteristic of Si Satchanalai pieces, particularly those intended for export to Indonesia and the Philippines. The jar is covered with an olive-colored glaze and potted using a fairly grainy, dark buff-colored clay that contains traces of red.
Context
false
Related Document Description:
Asia Society. Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection. New York: Asia Society, [1981], p. 44.
rdd
Asia Society. <I>Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection.</I> New York: Asia Society, [1981], p. 44.
Related Document Description
false
Related Image Identifier Link:
ASIA.1979.093.a.tif
ril
ASIA.1979.093.a.tif
Related Image Identifier Link
false