COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
MMA_.51.90
amicoid
MMA_.51.90
AMICA ID
false
AMICA Library Year:
2000
aly
2000
AMICA Library Year
false
Object Type:
Drawings and Watercolors
oty
Drawings and Watercolors
Object Type
false
Creator Name:
Leonardo Da Vinci
crn
Leonardo Da Vinci
Creator Name
false
Creator Nationality:
European; Southern European; Italian
crc
European; Southern European; Italian
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
Italian, b. Vinci 1452 - d. Cloux 1519
cdt
Italian, b. Vinci 1452 - d. Cloux 1519
Creator Dates/Places
false
Creator Birth Place:
Vinci
cbp
Vinci
Creator Birth Place
false
Creator Death Place:
Cloux
cdp
Cloux
Creator Death Place
false
Creator Name-CRT:
Made by Leonardo da Vinci
crt
Made by Leonardo da Vinci
Creator Name-CRT
false
Title:
Head of the Virgin
otn
Head of the Virgin
Title
false
View:
Full View
rid
Full View
View
false
Creation Date:
1507-1513
oct
1507-1513
Creation Date
false
Creation Start Date:
1507
ocs
1507
Creation Start Date
false
Creation End Date:
1513
oce
1513
Creation End Date
false
Materials and Techniques:
Charcoal, black and red chalks; traces of framing line in pen and brown ink at upper right
omd
Charcoal, black and red chalks; traces of framing line in pen and brown ink at upper right
Materials and Techniques
false
Dimensions:
8 x 6-1/8 in. (20.3 x 15.6 cm)
met
8 x 6-1/8 in. (20.3 x 15.6 cm)
Dimensions
false
AMICA Contributor:
The Metropolitan Museum of Art
oon
The Metropolitan Museum of Art
AMICA Contributor
false
Owner Location:
New York, New York, USA
oop
New York, New York, USA
Owner Location
false
ID Number:
51.90
ooa
51.90
ID Number
false
Credit Line:
Harris Brisbane Dick Fund, 1951
ooc
Harris Brisbane Dick Fund, 1951
Credit Line
false
Rights:
orl
<a href="http://www.metmuseum.org/"target="_new">http://www.metmuseum.org/</a>
Rights
false
Context:
This exquisitely finished drawing closely relates to the oil painting of the 'Virgin and Child with Saint Anne' (Musée du Louvre, Paris), of about 1508-12, and may have been a preparatory study. To render the infinite gradations of light and shadow, the artist used the sfumato technique, softly stumping the strokes of chalk. The effect is that of seamlessly blended tone 'in the manner of smoke' ('fumo'). Although the drawing surface has suffered somewhat, this study is unmistakably by Leonardo, and vividly illustrates the depth of his explorations of optical phenomena late in his career. Some of the major drawings for the Louvre picture are in the Royal Library at Windsor Castle, England.
cxd
<P>This exquisitely finished drawing closely relates to the oil painting of the 'Virgin and Child with Saint Anne' (Musée du Louvre, Paris), of about 1508-12, and may have been a preparatory study. To render the infinite gradations of light and shadow, the artist used the sfumato technique, softly stumping the strokes of chalk. The effect is that of seamlessly blended tone 'in the manner of smoke' ('fumo'). Although the drawing surface has suffered somewhat, this study is unmistakably by Leonardo, and vividly illustrates the depth of his explorations of optical phenomena late in his career. Some of the major drawings for the Louvre picture are in the Royal Library at Windsor Castle, England.</P>
Context
false
Related Image Identifier Link:
MMA_.dp51.90.R.tif
ril
MMA_.dp51.90.R.tif
Related Image Identifier Link
false