COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
ASIA.1979.145
amicoid
ASIA.1979.145
AMICA ID
false
AMICA Library Year:
1998
aly
1998
AMICA Library Year
false
Object Type:
Decorative Arts and Utilitarian Objects
oty
Decorative Arts and Utilitarian Objects
Object Type
false
Creator Nationality:
Asian; Far East Asian; Chinese
crc
Asian; Far East Asian; Chinese
Creator Nationality
false
Creator Name-CRT:
Chinese
crt
Chinese
Creator Name-CRT
false
Title:
Tea Bowl
otn
Tea Bowl
Title
false
View:
Full view
rid
Full view
View
false
Creation Date:
Southern Song period, 12th-13th century
oct
Southern Song period, 12th-13th century
Creation Date
false
Creation Start Date:
1100
ocs
1100
Creation Start Date
false
Creation End Date:
1299
oce
1299
Creation End Date
false
Materials and Techniques:
Stoneware with glaze with iron 'hare's fur' and painted with overglaze iron-brown slip, the rim bound with silver (Jian ware)
omd
Stoneware with glaze with iron 'hare's fur' and painted with overglaze iron-brown slip, the rim bound with silver (Jian ware)
Materials and Techniques
false
Classification Term:
Ceramics
clt
Ceramics
Classification Term
false
Creation Place:
China, Fujian Province
ocp
China, Fujian Province
Creation Place
false
Dimensions:
H. 2 7/8 in. (7.3 cm); D. 4 7/8 in. (12.4 cm)
met
H. 2 7/8 in. (7.3 cm); D. 4 7/8 in. (12.4 cm)
Dimensions
false
AMICA Contributor:
Asia Society
oon
Asia Society
AMICA Contributor
false
Owner Location:
New York, New York, USA
oop
New York, New York, USA
Owner Location
false
ID Number:
1979.145
ooa
1979.145
ID Number
false
Credit Line:
Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection
ooc
Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection
Credit Line
false
Rights:
orl
<a href="http://www.asiasociety.org"target="_new">http://www.asiasociety.org</a>
Rights
false
Context:
Ceramics made in China during the Song period (960-1279) are among the most influential and revered in the world: they are noted for their elegant, simple shapes, lush glazes, and lively designs. These ceramics are admired in part because of the complicated and varied technologies used in their manufacture. Song ceramics are categorized into wares that often take the names of their areas of production. Jian wares, such as the small tea bowl seen here, were produced in Fujian Province and used throughout China at all levels of society. The "hare's fur" glaze effect on this bowl was created when excess iron in the glaze rose to the surface during firing. This particular tea bowl is unusual because plum blossoms have been painted over the glaze in a brown slip. This extra level of decoration is uncommon in Jian ware and suggests that the bowl was produced for an important patron.
The enormous popularity of Jian ware during the Song period may reflect the importance of tea drinking at this time. Tea drinking had become popular during the Tang dynasty (618-906) and continued to be throughout the Song period. Both the author of the 11th-century Notes on Tea (Cha Lu) and the 12th-century ruler Huizong (r. 1101-1125) are known to have preferred black tea bowls over white or green ones because they better displayed the white color of whisked tea. This type of tea, made from powder rather than leaves, was popular in Song China, and its use spread to Japan, where it was incorporated into the tea ceremony.
cxd
Ceramics made in China during the Song period (960-1279) are among the most influential and revered in the world: they are noted for their elegant, simple shapes, lush glazes, and lively designs. These ceramics are admired in part because of the complicated and varied technologies used in their manufacture. Song ceramics are categorized into wares that often take the names of their areas of production. Jian wares, such as the small tea bowl seen here, were produced in Fujian Province and used throughout China at all levels of society. The "hare's fur" glaze effect on this bowl was created when excess iron in the glaze rose to the surface during firing. This particular tea bowl is unusual because plum blossoms have been painted over the glaze in a brown slip. This extra level of decoration is uncommon in Jian ware and suggests that the bowl was produced for an important patron.<P>The enormous popularity of Jian ware during the Song period may reflect the importance of tea drinking at this time. Tea drinking had become popular during the Tang dynasty (618-906) and continued to be throughout the Song period. Both the author of the 11th-century <I>Notes on Tea</I> (<I>Cha Lu</I>) and the 12th-century ruler Huizong (r. 1101-1125) are known to have preferred black tea bowls over white or green ones because they better displayed the white color of whisked tea. This type of tea, made from powder rather than leaves, was popular in Song China, and its use spread to Japan, where it was incorporated into the tea ceremony.</P>
Context
false
Related Document Description:
Asia Society. Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection. New York: Asia Society, [1981], p. 67.
rdd
Asia Society. <I>Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection</I>. New York: Asia Society, [1981], p. 67.
Related Document Description
false
Related Document Description:
Lee, Sherman E. Asian Art: Selections from the Collection of Mr. and Mrs. John D. Rockefeller 3rd--Part II. New York: Asia Society, 1975, pp. 46, 96.
rdd
Lee, Sherman E. <I>Asian Art: Selections from the Collection of Mr. and Mrs. John D. Rockefeller 3rd--Part II.</I> New York: Asia Society, 1975, pp. 46, 96.
Related Document Description
false
Related Document Description:
Mowry, Robert D. 'The Sophistication of Song Dynasty Ceramics.' Apollo (November 1983), pp. 401-02.
rdd
Mowry, Robert D. 'The Sophistication of Song Dynasty Ceramics.' <I>Apollo</I> (November 1983), pp. 401-02.
Related Document Description
false
Related Image Identifier Link:
ASIA.1979.145.a.tif
ril
ASIA.1979.145.a.tif
Related Image Identifier Link
false