COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
ASIA.1979.149
amicoid
ASIA.1979.149
AMICA ID
false
AMICA Library Year:
1998
aly
1998
AMICA Library Year
false
Object Type:
Decorative Arts and Utilitarian Objects
oty
Decorative Arts and Utilitarian Objects
Object Type
false
Creator Nationality:
Asian; Far East Asian; Chinese
crc
Asian; Far East Asian; Chinese
Creator Nationality
false
Creator Name-CRT:
Chinese
crt
Chinese
Creator Name-CRT
false
Title:
Jar
otn
Jar
Title
false
View:
Full view
rid
Full view
View
false
Creation Date:
Southern Song period, 13th century
oct
Southern Song period, 13th century
Creation Date
false
Creation Start Date:
1200
ocs
1200
Creation Start Date
false
Creation End Date:
1299
oce
1299
Creation End Date
false
Materials and Techniques:
Porcelain with carved and combed design under glaze (Qingbai ware)
omd
Porcelain with carved and combed design under glaze (Qingbai ware)
Materials and Techniques
false
Classification Term:
Ceramics
clt
Ceramics
Classification Term
false
Creation Place:
China, Jiangxi Province
ocp
China, Jiangxi Province
Creation Place
false
Dimensions:
H. 6 1/2 in. (16.5 cm); D. 6 1/8 in. (15.6 cm)
met
H. 6 1/2 in. (16.5 cm); D. 6 1/8 in. (15.6 cm)
Dimensions
false
AMICA Contributor:
Asia Society
oon
Asia Society
AMICA Contributor
false
Owner Location:
New York, New York, USA
oop
New York, New York, USA
Owner Location
false
ID Number:
1979.149
ooa
1979.149
ID Number
false
Credit Line:
Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection
ooc
Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection
Credit Line
false
Rights:
orl
<a href="http://www.asiasociety.org"target="_new">http://www.asiasociety.org</a>
Rights
false
Context:
Ceramics made in China during the Song period (960-1279) are among the most influential and revered in the world: they are noted for their elegant, simple shapes, lush glazes, and lively designs. These ceramics are admired in part because of the complicated and varied technologies used in their manufacture. Qingbai wares, which were produced in Jizhou, Nanfeng, and Jingdezhen in Jiangxi Province, are named for the color of their glaze rather than the place where they were made. Qingbai can be translated as "blue-white" while yingqing, the other name for these wares, means "shadow blue." As can be seen in this elegant jar of the Southern Song period (1126-1279), Qingbai wares are admirable for the delicacy and translucency of their glazes and for the way the glaze pools in areas created by the shape and decoration of the ceramic. The bulbous shape of this jar is unusual in Qingbai ware. It is enhanced by the lotus, peony, iris, and mallow sprays carved against a background of combed patterns on the body.
The use of porcelain to make this jar is the result of technical developments in the production of Qingbai ware. The earliest of these wares, produced during the 10th and 11th centuries, were made using local clay with a fine white body that lacked a certain plasticity. Beginning in the 12th century, a type of clay known as kaolin was mixed with local clay to create the body of Qingbai ware, giving a much greater plasticity. This development during the Southern Song period paved the way for the evolution of porcelain in China during the 14th and 15th centuries, and for the eventual spread of this technology throughout the world, securing one more contribution of Song-period China to the history of ceramics.
cxd
Ceramics made in China during the Song period (960-1279) are among the most influential and revered in the world: they are noted for their elegant, simple shapes, lush glazes, and lively designs. These ceramics are admired in part because of the complicated and varied technologies used in their manufacture. Qingbai wares, which were produced in Jizhou, Nanfeng, and Jingdezhen in Jiangxi Province, are named for the color of their glaze rather than the place where they were made. <I>Qingbai</I> can be translated as "blue-white" while <I>yingqing</I>, the other name for these wares, means "shadow blue." As can be seen in this elegant jar of the Southern Song period (1126-1279), Qingbai wares are admirable for the delicacy and translucency of their glazes and for the way the glaze pools in areas created by the shape and decoration of the ceramic. The bulbous shape of this jar is unusual in Qingbai ware. It is enhanced by the lotus, peony, iris, and mallow sprays carved against a background of combed patterns on the body.<P>The use of porcelain to make this jar is the result of technical developments in the production of Qingbai ware. The earliest of these wares, produced during the 10th and 11th centuries, were made using local clay with a fine white body that lacked a certain plasticity. Beginning in the 12th century, a type of clay known as <I>kaolin</I> was mixed with local clay to create the body of Qingbai ware, giving a much greater plasticity. This development during the Southern Song period paved the way for the evolution of porcelain in China during the 14th and 15th centuries, and for the eventual spread of this technology throughout the world, securing one more contribution of Song-period China to the history of ceramics.</P>
Context
false
Related Document Description:
Asia Society. Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection. New York: Asia Society, [1981], p. 68.
rdd
Asia Society. <I>Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection.</I> New York: Asia Society, [1981], p. 68.
Related Document Description
false
Related Document Description:
Lee, Sherman E. Asian Art: Selections from the Collection of Mr. and Mrs. John D. Rockefeller 3rd. New York: Asia Society, 1970, pp. 55, 73.
rdd
Lee, Sherman E. <I>Asian Art: Selections from the Collection of Mr. and Mrs. John D. Rockefeller 3rd.</I> New York: Asia Society, 1970, pp. 55, 73.
Related Document Description
false
Related Document Description:
Mowry, Robert D. 'The Sophistication of Song Dynasty Ceramics.' Apollo (November 1983), pp.395, 402.
rdd
Mowry, Robert D. 'The Sophistication of Song Dynasty Ceramics.' <I>Apollo</I> (November 1983), pp.395, 402.
Related Document Description
false
Related Document Description:
Treasures of Asian Art: Selections from the Mr. and Mrs. John D. Rockefeller 3rd Collection, The Asia Society, New York. Hong Kong and Singapore: Hong Kong Museum of Art and National Museum Singapore, 1993, pp. 118, 119.
rdd
<I>Treasures of Asian Art: Selections from the Mr. and Mrs. John D. Rockefeller 3rd Collection, The Asia Society, New York.</I> Hong Kong and Singapore: Hong Kong Museum of Art and National Museum Singapore, 1993, pp. 118, 119.
Related Document Description
false
Related Document Description:
Treasures of Asian Art: Selections from the Mr. and Mrs. John D. Rockefeller 3rd Collection, The Asia Society, New York. Tokyo: Idemitsu Museum of Arts, 1992, pp. 77, 135.
rdd
Treasures of Asian Art: Selections from the Mr. and Mrs. John D. Rockefeller 3rd Collection, The Asia Society, New York. Tokyo: Idemitsu Museum of Arts, 1992, pp. 77, 135.
Related Document Description
false
Related Image Identifier Link:
ASIA.1979.149.a.tif
ril
ASIA.1979.149.a.tif
Related Image Identifier Link
false