COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
ASIA.1979.161
amicoid
ASIA.1979.161
AMICA ID
false
AMICA Library Year:
1999
aly
1999
AMICA Library Year
false
Object Type:
Decorative Arts and Utilitarian Objects
oty
Decorative Arts and Utilitarian Objects
Object Type
false
Creator Nationality:
Asian; Far East Asian; Chinese
crc
Asian; Far East Asian; Chinese
Creator Nationality
false
Creator Name-CRT:
Chinese
crt
Chinese
Creator Name-CRT
false
Title:
Bowl
otn
Bowl
Title
false
View:
Full view
rid
Full view
View
false
Creation Date:
Ming period, Xuande era, 1426-1435
oct
Ming period, Xuande era, 1426-1435
Creation Date
false
Creation Start Date:
1426
ocs
1426
Creation Start Date
false
Creation End Date:
1435
oce
1435
Creation End Date
false
Materials and Techniques:
Porcelain with incised design under glaze (Jingdezhen ware)
omd
Porcelain with incised design under glaze (Jingdezhen ware)
Materials and Techniques
false
Classification Term:
Ceramics
clt
Ceramics
Classification Term
false
Creation Place:
China, Jiangxi Province
ocp
China, Jiangxi Province
Creation Place
false
Dimensions:
H. 4 in. (10.2 cm); D. 8 1/8 in. (20.6 cm)
met
H. 4 in. (10.2 cm); D. 8 1/8 in. (20.6 cm)
Dimensions
false
AMICA Contributor:
Asia Society
oon
Asia Society
AMICA Contributor
false
Owner Location:
New York, New York, USA
oop
New York, New York, USA
Owner Location
false
ID Number:
1979.161
ooa
1979.161
ID Number
false
Credit Line:
Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection
ooc
Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection
Credit Line
false
Rights:
orl
<a href="http://www.asiasociety.org"target="_new">http://www.asiasociety.org</a>
Rights
false
Context:
Noted for their refined bodies and elegant shapes, porcelains made during the reigns of the Xuande (1426-1435) and Chenghua (1465-1487) emperors of the Ming dynasty (1368-1644) are ranked among the finest examples of imperial Chinese wares. Many of the characteristics of 15th-century porcelains result from increased imperial interest in ceramics. Ceramic production during this time--which was the near-exclusive domain of the imperial Jingdezhen kilns at Jiangxi Province--is noted for the development and refinement of techniques for making and decorating wares, experimentation with shapes and designs, and the widespread use of reign marks (inscriptions that identify the name of the dynasty and the reign name of an emperor).
A six-character Xuande mark, written in underglaze blue, is inscribed in a double circle on the inside of the footring of this porcelain bowl. The bowl is decorated with plantain leaves on the exterior, while the interior is plain except for chrysanthemum flowers in the bottom. Difficult to see at first glance, decoration of this type is often termed anhua, or 'hidden decoration,' and was very popular in the early Ming period. The bowl is heavier and more thickly potted than works of the Yongle period (1403-1424), and its glaze has a noticeable blue-green tinge. This color becomes apparent where the glaze pooled into the incised decoration, making the designs somewhat easier to see.
cxd
Noted for their refined bodies and elegant shapes, porcelains made during the reigns of the Xuande (1426-1435) and Chenghua (1465-1487) emperors of the Ming dynasty (1368-1644) are ranked among the finest examples of imperial Chinese wares. Many of the characteristics of 15th-century porcelains result from increased imperial interest in ceramics. Ceramic production during this time--which was the near-exclusive domain of the imperial Jingdezhen kilns at Jiangxi Province--is noted for the development and refinement of techniques for making and decorating wares, experimentation with shapes and designs, and the widespread use of reign marks (inscriptions that identify the name of the dynasty and the reign name of an emperor).<P>A six-character Xuande mark, written in underglaze blue, is inscribed in a double circle on the inside of the footring of this porcelain bowl. The bowl is decorated with plantain leaves on the exterior, while the interior is plain except for chrysanthemum flowers in the bottom. Difficult to see at first glance, decoration of this type is often termed <I>anhua</I>, or 'hidden decoration,' and was very popular in the early Ming period. The bowl is heavier and more thickly potted than works of the Yongle period (1403-1424), and its glaze has a noticeable blue-green tinge. This color becomes apparent where the glaze pooled into the incised decoration, making the designs somewhat easier to see.</P>
Context
false
Related Document Description:
Asia Society. Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection. New York: Asia Society, [1981], p. 73.
rdd
Asia Society. <I>Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection.</I> New York: Asia Society, [1981], p. 73.
Related Document Description
false
Related Image Identifier Link:
ASIA.1979.161.a.tif
ril
ASIA.1979.161.a.tif
Related Image Identifier Link
false