COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1921.428
amicoid
CMA_.1921.428
AMICA ID
false
AMICA Library Year:
2003
aly
2003
AMICA Library Year
false
Object Type:
Paintings
oty
Paintings
Object Type
false
Creator Name:
Stuart, Gilbert
crn
Stuart, Gilbert
Creator Name
false
Creator Nationality:
American
crc
American
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
1755 - 1828
cdt
1755 - 1828
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Gilbert Stuart
crt
Gilbert Stuart
Creator Name-CRT
false
Title:
Mrs. John Thomson Mason
otn
Mrs. John Thomson Mason
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
c. 1803-1805
oct
c. 1803-1805
Creation Date
false
Creation Start Date:
1798
ocs
1798
Creation Start Date
false
Creation End Date:
1810
oce
1810
Creation End Date
false
Materials and Techniques:
oil on canvas
omd
oil on canvas
Materials and Techniques
false
Classification Term:
Painting
clt
Painting
Classification Term
false
Style or Period:
America, 19th century
std
America, 19th century
Style or Period
false
Dimensions:
Framed: 90cm x 78cm x 8cm, Unframed: 73.8cm x 61cm
met
Framed: 90cm x 78cm x 8cm, Unframed: 73.8cm x 61cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1921.428
ooa
1921.428
ID Number
false
Credit Line:
Gift from J. H. Wade
ooc
Gift from J. H. Wade
Credit Line
false
Rights:
orl
<a href="http://www.clevelandart.org/museum/disclaim2.html"target="_new">http://www.clevelandart.org/museum/disclaim2.html</a>
Rights
false
Provenance:
family of the sitter. (Frank Bayley, Boston).
opo
family of the sitter. (Frank Bayley, Boston).
Provenance
false
Context:
Stuart introduced into American art a painting technique based upon spontaneous, yet strategically placed brushstrokes and layers of subtle, translucent paint that presents sitters as if bathed in mist. Commissioned some five years after her marriage, this painting of Elizabeth Beltzhoover Mason (1781-1836) declares her stylishness by associating her with Stuart's fashionable manner. The portrait adapts to a small format the accessories of column and drapery traditionally associated with larger paintings, creating an effect of both intimacy and grandeur.
cxd
Stuart introduced into American art a painting technique based upon spontaneous, yet strategically placed brushstrokes and layers of subtle, translucent paint that presents sitters as if bathed in mist. Commissioned some five years after her marriage, this painting of Elizabeth Beltzhoover Mason (1781-1836) declares her stylishness by associating her with Stuart's fashionable manner. The portrait adapts to a small format the accessories of column and drapery traditionally associated with larger paintings, creating an effect of both intimacy and grandeur.
Context
false
Related Image Identifier Link:
CMA_.1921.428.tif
ril
CMA_.1921.428.tif
Related Image Identifier Link
false