COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1929.464
amicoid
CMA_.1929.464
AMICA ID
false
AMICA Library Year:
1999
aly
1999
AMICA Library Year
false
Object Type:
Paintings
oty
Paintings
Object Type
false
Creator Name:
Inness, George
crn
Inness, George
Creator Name
false
Creator Nationality:
North American; American
crc
North American; American
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
1825 - 1894
cdt
1825 - 1894
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
George Inness
crt
George Inness
Creator Name-CRT
false
Title:
Trees in a Field
otn
Trees in a Field
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
1888
oct
1888
Creation Date
false
Creation Start Date:
1888
ocs
1888
Creation Start Date
false
Creation End Date:
1888
oce
1888
Creation End Date
false
Materials and Techniques:
oil on canvas
omd
oil on canvas
Materials and Techniques
false
Dimensions:
Unframed: 56.2cm x 70cm
met
Unframed: 56.2cm x 70cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1929.464
ooa
1929.464
ID Number
false
Credit Line:
Gift of the Estate of Charles F. Brush
ooc
Gift of the Estate of Charles F. Brush
Credit Line
false
Inscriptions:
signed lower right: G. Inness 1888
oin
signed lower right: G. Inness 1888
Inscriptions
false
Rights:
orl
<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>
Rights
false
Provenance:
Charles F. Brush, Cleveland (1913).
opo
Charles F. Brush, Cleveland (1913).
Provenance
false
Context:
During the later 19th century, when European artists were influencing American landscapists, George Inness looked to France for stylistic inspiration. After a trip to Europe in 1853 and 1854, which brought him into contact with contemporary French painters, Inness adopted a looser way of handling paint. By the 1880s he was interested in conveying the spiritual aspects of nature.
cxd
During the later 19th century, when European artists were influencing American landscapists, George Inness looked to France for stylistic inspiration. After a trip to Europe in 1853 and 1854, which brought him into contact with contemporary French painters, Inness adopted a looser way of handling paint. By the 1880s he was interested in conveying the spiritual aspects of nature.
Context
false
Related Image Identifier Link:
CMA_.1929.464.tif
ril
CMA_.1929.464.tif
Related Image Identifier Link
false