COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1938.6
amicoid
CMA_.1938.6
AMICA ID
false
AMICA Library Year:
2000
aly
2000
AMICA Library Year
false
Object Type:
Sculpture
oty
Sculpture
Object Type
false
Creator Name:
Unknown
crn
Unknown
Creator Name
false
Creator Nationality:
Nigerian
crc
Nigerian
Creator Nationality
false
Creator Name-CRT:
Africa, Nigeria, Edo, Benin City
crt
Africa, Nigeria, Edo, Benin City
Creator Name-CRT
false
Title:
Head of a King
otn
Head of a King
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Detail
rid
Detail
View
false
Creation Date:
1600s
oct
1600s
Creation Date
false
Creation Start Date:
1600
ocs
1600
Creation Start Date
false
Creation End Date:
1699
oce
1699
Creation End Date
false
Materials and Techniques:
bronze
omd
bronze
Materials and Techniques
false
Style or Period:
Africa, Nigeria, Edo, Benin City
std
Africa, Nigeria, Edo, Benin City
Style or Period
false
Dimensions:
Overall: 29.9cm x 21.6cm x 20.4cm
met
Overall: 29.9cm x 21.6cm x 20.4cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1938.6
ooa
1938.6
ID Number
false
Credit Line:
Dudley P. Allen Fund
ooc
Dudley P. Allen Fund
Credit Line
false
Rights:
orl
<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>
Rights
false
Context:
The powerful Benin kingdom of southern Nigeria was noted for its ancient, refined artistic traditions. Benin witnessed a remarkable flowering of the arts from about 1400 to 1900 -- mainly sponsored by the king. One of the site that received much artistic attention was the altar for the king's ancestors containing bronze heads, bells, sculptures, wooden rattle staffs, carved ivory tusks, and other objects that commemorated the power and spiritual presence of past rulers.The altar's centerpiece was a bronze head representing a departed ruler. It was cast by the 'lost-wax' (cire perdue) method, whereby the sculpture was first modelled in wax, covered in clay, and then heated to melt off the wax, which was thus 'lost' and replaced by molten bronze. The head supports an elaborately carved ivory tusk that symbolizes the awesome spiritual powers emanating from the king's sacred head. The museum's tusk dates to the 1800s. Together, the head and the carved tusk document a span of nearly three centuries of Benin art history.
cxd
The powerful Benin kingdom of southern Nigeria was noted for its ancient, refined artistic traditions. Benin witnessed a remarkable flowering of the arts from about 1400 to 1900 -- mainly sponsored by the king. One of the site that received much artistic attention was the altar for the king's ancestors containing bronze heads, bells, sculptures, wooden rattle staffs, carved ivory tusks, and other objects that commemorated the power and spiritual presence of past rulers.The altar's centerpiece was a bronze head representing a departed ruler. It was cast by the 'lost-wax' (cire perdue) method, whereby the sculpture was first modelled in wax, covered in clay, and then heated to melt off the wax, which was thus 'lost' and replaced by molten bronze. The head supports an elaborately carved ivory tusk that symbolizes the awesome spiritual powers emanating from the king's sacred head. The museum's tusk dates to the 1800s. Together, the head and the carved tusk document a span of nearly three centuries of Benin art history.
Context
false
Related Image Identifier Link:
CMA_.1938.6det03.tif
ril
CMA_.1938.6det03.tif
Related Image Identifier Link
false