COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1962.257.2
amicoid
CMA_.1962.257.2
AMICA ID
false
AMICA Library Year:
2002
aly
2002
AMICA Library Year
false
Object Type:
Paintings
oty
Paintings
Object Type
false
Creator Name:
Niccolò di Segna
crn
Niccolò di Segna
Creator Name
false
Creator Nationality:
European; Southern European; Italian
crc
European; Southern European; Italian
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
1486 - 1530
cdt
1486 - 1530
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Niccolò di Segna
crt
Niccolò di Segna
Creator Name-CRT
false
Title:
Angel
otn
Angel
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
c. 1340
oct
c. 1340
Creation Date
false
Creation Start Date:
1335
ocs
1335
Creation Start Date
false
Creation End Date:
1345
oce
1345
Creation End Date
false
Materials and Techniques:
tempera and gold on wood
omd
tempera and gold on wood
Materials and Techniques
false
Classification Term:
Painting
clt
Painting
Classification Term
false
Dimensions:
Unframed: 30.5cm x 22.7cm
met
Unframed: 30.5cm x 22.7cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1962.257.2
ooa
1962.257.2
ID Number
false
Credit Line:
Bequest of Jane Taft Ingalls
ooc
Bequest of Jane Taft Ingalls
Credit Line
false
Rights:
orl
<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>
Rights
false
Provenance:
Conte della Gherardesca, Florence (1930); (Annesley Gore, London; sold to donor, 1935)
opo
Conte della Gherardesca, Florence (1930); (Annesley Gore, London; sold to donor, 1935)
Provenance
false
Context:
These pinnacles were originally set atop a multi-part altarpiece that has now been broken up (for an example of how such pinnacles were arranged, see the altarpiece by Ugolino in this gallery). The gestures and glances of the angels suggest that they were placed to the left and right of a central image.
These works were made under the influence of the painter Duccio, who dominated art in Siena with his graceful and intimate figures.
cxd
<P>These pinnacles were originally set atop a multi-part altarpiece that has now been broken up (for an example of how such pinnacles were arranged, see the altarpiece by Ugolino in this gallery). The gestures and glances of the angels suggest that they were placed to the left and right of a central image. </p><p>These works were made under the influence of the painter Duccio, who dominated art in Siena with his graceful and intimate figures.</p>
Context
false
Link to Work:
CMA_.1962.257.1
rwl
CMA_.1962.257.1
Link to Work
false
Related Image Identifier Link:
CMA_.AM20020581.tif
ril
CMA_.AM20020581.tif
Related Image Identifier Link
false