COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1963.231
amicoid
CMA_.1963.231
AMICA ID
false
AMICA Library Year:
2001
aly
2001
AMICA Library Year
false
Object Type:
Prints
oty
Prints
Object Type
false
Creator Name:
Raimondi, Marcantonio
crn
Raimondi, Marcantonio
Creator Name
false
Creator Nationality:
European; Southern European; Italian
crc
European; Southern European; Italian
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
c. 1480 - 1527/34
cdt
c. 1480 - 1527/34
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Marcantonio Raimondi
crt
Marcantonio Raimondi
Creator Name-CRT
false
Creator Name:
Raphael
crn
Raphael
Creator Name
false
Creator Nationality:
European; Southern European; Italian
crc
European; Southern European; Italian
Creator Nationality
false
Creator Role:
designed by
crr
designed by
Creator Role
false
Creator Dates/Places:
1482 - 1520
cdt
1482 - 1520
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Raphael
crt
Raphael
Creator Name-CRT
false
Title:
Apollo on Parnassas
otn
Apollo on Parnassas
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
c. 1517/1520
oct
c. 1517/1520
Creation Date
false
Creation Start Date:
1517
ocs
1517
Creation Start Date
false
Creation End Date:
1520
oce
1520
Creation End Date
false
Materials and Techniques:
engraving
omd
engraving
Materials and Techniques
false
Dimensions:
Sheet: 35.5cm x 46.9cm
met
Sheet: 35.5cm x 46.9cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1963.231
ooa
1963.231
ID Number
false
Credit Line:
Gift of The Print Club of Cleveland
ooc
Gift of The Print Club of Cleveland
Credit Line
false
Inscriptions:
VERSO, lower left, in graphite: TR 13304/3
oin
VERSO, lower left, in graphite: TR 13304/3
Inscriptions
false
Rights:
orl
<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>
Rights
false
Provenance:
Sir Peter Lely (1618-1680), London, stamp (Lugt 2092), lower right, in black ; Earls of Pembroke, Wilton, not stamped [Lugt 2636b, from accession card] ; Sotheby, London, 1917 [from accession card] ; Craddock & Barnard, 1962, cat. 100, no. 85 [from accession card] ; purchased from (Richard H. Zinser, Forest Hills, NY)
opo
Sir Peter Lely (1618-1680), London, stamp (Lugt 2092), lower right, in black ; Earls of Pembroke, Wilton, not stamped [Lugt 2636b, from accession card] ; Sotheby, London, 1917 [from accession card] ; Craddock & Barnard, 1962, cat. 100, no. 85 [from accession card] ; purchased from (Richard H. Zinser, Forest Hills, NY)
Provenance
false
Context:
Marcantonio Raimondi (Italian, about 1480-1527/34)Apollo on Parnassas (after Raphael),about 1517/20EngravingGift of the Print Club of Cleveland 1963.231The subject is based on the fresco Parnassus (around 1510) painted byRaphael in the Stanza della Signatura located in the Vatican in Rome.Parnassas, a mountain in central Greece, was thought to be sacred toApollo, the god of music and poetry. It was a favorite meeting place of themuses and center of poetic and musical inspiration.Marcantonio Raimondi received his artistic training in Bologna. By 1511 hehad settled in Rome and entered into a working relationship with Raphael,translating the master's drawings into engravings. Raimondi is a primeexample of a professional or reproductive printmaker (an artist who makesprints primarily after designs by other artists). Prints were the principlemeans by which Raphael's art was introduced throughout Europe, especiallyto those who could not otherwise travel to Italy.
cxd
Marcantonio Raimondi (Italian, about 1480-1527/34)Apollo on Parnassas (after Raphael),about 1517/20EngravingGift of the Print Club of Cleveland 1963.231The subject is based on the fresco Parnassus (around 1510) painted byRaphael in the Stanza della Signatura located in the Vatican in Rome.Parnassas, a mountain in central Greece, was thought to be sacred toApollo, the god of music and poetry. It was a favorite meeting place of themuses and center of poetic and musical inspiration.Marcantonio Raimondi received his artistic training in Bologna. By 1511 hehad settled in Rome and entered into a working relationship with Raphael,translating the master's drawings into engravings. Raimondi is a primeexample of a professional or reproductive printmaker (an artist who makesprints primarily after designs by other artists). Prints were the principlemeans by which Raphael's art was introduced throughout Europe, especiallyto those who could not otherwise travel to Italy.
Context
false
Related Image Identifier Link:
CMA_.1963.231.tif
ril
CMA_.1963.231.tif
Related Image Identifier Link
false