COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1963.256.15.a
amicoid
CMA_.1963.256.15.a
AMICA ID
false
AMICA Library Year:
2003
aly
2003
AMICA Library Year
false
Object Type:
Books
oty
Books
Object Type
false
Creator Name:
Bening, Alexander
crn
Bening, Alexander
Creator Name
false
Creator Nationality:
Flemish
crc
Flemish
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
c. 1444 - 1519
cdt
c. 1444 - 1519
Creator Dates/Places
false
Biography:
Alexander Bening has been presumed to be the same artist formerly know under the sobriquet, "Master of the Older Prayerbook of Maximilian I"
crb
Alexander Bening has been presumed to be the same artist formerly know under the sobriquet, "Master of the Older Prayerbook of Maximilian I"
Biography
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Alexander Bening
crt
Alexander Bening
Creator Name-CRT
false
Title:
Hours of Queen Isabella the Catholic, Queen of Spain: Text - Salve Sancta Facies, fol. 15 (recto)
otn
Hours of Queen Isabella the Catholic, Queen of Spain: Text - Salve Sancta Facies, fol. 15 (recto)
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
c. 1495-1500
oct
c. 1495-1500
Creation Date
false
Creation Start Date:
1495
ocs
1495
Creation Start Date
false
Creation End Date:
1500
oce
1500
Creation End Date
false
Materials and Techniques:
ink, tempera, and gold on vellum
omd
ink, tempera, and gold on vellum
Materials and Techniques
false
Classification Term:
Manuscript
clt
Manuscript
Classification Term
false
Style or Period:
Flanders, Ghent and Bruges, late 15th Century
std
Flanders, Ghent and Bruges, late 15th Century
Style or Period
false
Dimensions:
Codex: 22.5cm x 15.2cm
met
Codex: 22.5cm x 15.2cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1963.256.15.a
ooa
1963.256.15.a
ID Number
false
Credit Line:
Leonard C. Hanna, Jr. Fund
ooc
Leonard C. Hanna, Jr. Fund
Credit Line
false
Rights:
orl
<a href="http://www.clevelandart.org/museum/disclaim2.html"target="_new">http://www.clevelandart.org/museum/disclaim2.html</a>
Rights
false
Context:
This manuscript was illuminated by a circle of at least five highly organized manuscript painters active in the Flemish cities of Ghent and Bruges. The principal illuminator was Alexander Bening, who painted the majority of the book's miniatures. Manuscripts produced by this circle of artists are renowned for the decoration of their borders, which typically feature a rich variety of realistically-painted flowers, birds, and butterflies.This prayer book, called a book of hours, was intended not for a cleric, but for the private devotions of a lay person-in this case, Isabella the Catholic, Queen of Spain (1451-1504). Isabella's coat of arms embellishes the book's frontispiece. It is unlikely that the book was commissioned by the Queen herself; rather, she probably received it as a diplomatic gift from someone courting her patronage, perhaps Cardinal Francisco Jimenez de Cisneros. A Franciscan friar, Jimenez was dependent upon Isabella for his advancement, first to the post of Queen's confessor in 1492, and then to Archbishop of Toledo in 1495.
cxd
This manuscript was illuminated by a circle of at least five highly organized manuscript painters active in the Flemish cities of Ghent and Bruges. The principal illuminator was Alexander Bening, who painted the majority of the book's miniatures. Manuscripts produced by this circle of artists are renowned for the decoration of their borders, which typically feature a rich variety of realistically-painted flowers, birds, and butterflies.This prayer book, called a book of hours, was intended not for a cleric, but for the private devotions of a lay person-in this case, Isabella the Catholic, Queen of Spain (1451-1504). Isabella's coat of arms embellishes the book's frontispiece. It is unlikely that the book was commissioned by the Queen herself; rather, she probably received it as a diplomatic gift from someone courting her patronage, perhaps Cardinal Francisco Jimenez de Cisneros. A Franciscan friar, Jimenez was dependent upon Isabella for his advancement, first to the post of Queen's confessor in 1492, and then to Archbishop of Toledo in 1495.
Context
false
Related Image Identifier Link:
CMA_.1963.256.14.b_1963.256.15.a.tif
ril
CMA_.1963.256.14.b_1963.256.15.a.tif
Related Image Identifier Link
false