COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1964.371.4
amicoid
CMA_.1964.371.4
AMICA ID
false
AMICA Library Year:
2002
aly
2002
AMICA Library Year
false
Object Type:
Paintings
oty
Paintings
Object Type
false
Creator Name:
Shen Zhou
crn
Shen Zhou
Creator Name
false
Creator Nationality:
Chinese
crc
Chinese
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
1427 - 1509
cdt
1427 - 1509
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Shen Zhou
crt
Shen Zhou
Creator Name-CRT
false
Title:
Twelve Views of Tiger Hill, Suchou: The Enlightened Stone Retreat
otn
Twelve Views of Tiger Hill, Suchou: The Enlightened Stone Retreat
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
after 1490
oct
after 1490
Creation Date
false
Creation Start Date:
1491
ocs
1491
Creation Start Date
false
Creation End Date:
1509
oce
1509
Creation End Date
false
Materials and Techniques:
album leaf, ink on paper or ink and slight color on paper
omd
album leaf, ink on paper or ink and slight color on paper
Materials and Techniques
false
Classification Term:
Painting
clt
Painting
Classification Term
false
Dimensions:
Overall: 31.1cm x 40.2cm
met
Overall: 31.1cm x 40.2cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1964.371.4
ooa
1964.371.4
ID Number
false
Credit Line:
Leonard C. Hanna, Jr. Fund
ooc
Leonard C. Hanna, Jr. Fund
Credit Line
false
Inscriptions:
Artist's seals: Ch'i-nan (1 on each leaf); Shih-t'ien (1 on first and fourth leaves).1 colophon and 4 additional seals: 1 colophon and 1 seal of Yao Yüan-chih (1776-1852); 3 seals of Hou Shih-kung.Colophon by Yao Yüan-chih:The brushwork of this album is aged and powerful. It is so vigorous that it gives you a feeling of the mist and clouds when looking at it. It could not be done by any other than the old master, Shen Chou. Formerly the album was in the collection of Hu Tzo-shou's family. After many changes of hands, it came finally into the possession of Li-keng, the Keeper of the Imperial Stable [that is, Pin Liang, Manchurian poet-calligrapher, later the Imperial Resident in Lhasa, Tibet, 1784-1847]. Not long ago, when its former owner Tzu-shou came to visit me and found the album in my study, he sighed in nostalgia and told me that there were originally an inscription and colophons in the album which are now lost. Sung Lo [1634-1713] once had a poem by Shen Shih-t'ien on the painting of Tiger Hill. [The poem is missing from the album.] It must be a poem written for this album. However, according to Sung's own title, the poem was composed after the rhymes and meter of the original poem on the album. Now there is no poem whatsoever in the frontispiece or at the end of the album. Is this what Tzu-shou meant - that the original colophons and inscriptions are missing?Li-Keng, the Keeper of the Imperial Stable, has asked me for a colophon. The album has been left on my desk since last year. How time has passed! On the first day of the chia-shen year [1824], I returned from the Court Audience. The plum trees in the pots have started to blossom with their first fragrance. How much has this added to my enjoyment of the painting! I therefore write down a few words for your criticism. [signed] the Student of the Grass Leaf Pavilion, Yao Yüan-chih. trans. WKH
oin
Artist's seals: Ch'i-nan (1 on each leaf); Shih-t'ien (1 on first and fourth leaves).1 colophon and 4 additional seals: 1 colophon and 1 seal of Yao Yüan-chih (1776-1852); 3 seals of Hou Shih-kung.Colophon by Yao Yüan-chih:The brushwork of this album is aged and powerful. It is so vigorous that it gives you a feeling of the mist and clouds when looking at it. It could not be done by any other than the old master, Shen Chou. Formerly the album was in the collection of Hu Tzo-shou's family. After many changes of hands, it came finally into the possession of Li-keng, the Keeper of the Imperial Stable [that is, Pin Liang, Manchurian poet-calligrapher, later the Imperial Resident in Lhasa, Tibet, 1784-1847]. Not long ago, when its former owner Tzu-shou came to visit me and found the album in my study, he sighed in nostalgia and told me that there were originally an inscription and colophons in the album which are now lost. Sung Lo [1634-1713] once had a poem by Shen Shih-t'ien on the painting of Tiger Hill. [The poem is missing from the album.] It must be a poem written for this album. However, according to Sung's own title, the poem was composed after the rhymes and meter of the original poem on the album. Now there is no poem whatsoever in the frontispiece or at the end of the album. Is this what Tzu-shou meant - that the original colophons and inscriptions are missing?Li-Keng, the Keeper of the Imperial Stable, has asked me for a colophon. The album has been left on my desk since last year. How time has passed! On the first day of the chia-shen year [1824], I returned from the Court Audience. The plum trees in the pots have started to blossom with their first fragrance. How much has this added to my enjoyment of the painting! I therefore write down a few words for your criticism. [signed] the Student of the Grass Leaf Pavilion, Yao Yüan-chih. trans. WKH
Inscriptions
false
Rights:
orl
<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>
Rights
false
Provenance:
Walter Hochstadter; Richard B. Hobart (B, E, F, J); Walter Hochstadter
opo
Walter Hochstadter; Richard B. Hobart (B, E, F, J); Walter Hochstadter
Provenance
false
Link to Work:
CMA_.1964.371.1
rwl
CMA_.1964.371.1
Link to Work
false
Link to Work:
CMA_.1964.371.12
rwl
CMA_.1964.371.12
Link to Work
false
Related Image Identifier Link:
CMA_.AM20021379.tif
ril
CMA_.AM20021379.tif
Related Image Identifier Link
false