COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1971.135
amicoid
CMA_.1971.135
AMICA ID
false
AMICA Library Year:
1998
aly
1998
AMICA Library Year
false
Object Type:
Paintings
oty
Paintings
Object Type
false
Creator Nationality:
African; North African; Egyptian
crc
African; North African; Egyptian
Creator Nationality
false
Creator Dates/Places:
Egypt
cdt
Egypt
Creator Dates/Places
false
Creator Name-CRT:
Egypt, Roman Empire, early 2nd century AD
crt
Egypt, Roman Empire, early 2nd century AD
Creator Name-CRT
false
Title:
Funerary Portrait of a Man
otn
Funerary Portrait of a Man
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
100-125
oct
100-125
Creation Date
false
Creation Start Date:
100
ocs
100
Creation Start Date
false
Creation End Date:
125
oce
125
Creation End Date
false
Materials and Techniques:
encaustic on linen
omd
encaustic on linen
Materials and Techniques
false
Dimensions:
Overall: 24.8cm x 19cm
met
Overall: 24.8cm x 19cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1971.135
ooa
1971.135
ID Number
false
Credit Line:
John L. Severance Fund
ooc
John L. Severance Fund
Credit Line
false
Rights:
orl
<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>
Rights
false
Context:
So-called mummy portraits were apparently painted during the owners' lives and hung in their homes. At the time of the owner's death, the portrait was taken down, cut from its frame, and trimmed to fit the deceased's mummy, to which it was bound. It was at that time also that the gilding on the center painting was added.
cxd
So-called mummy portraits were apparently painted during the owners' lives and hung in their homes. At the time of the owner's death, the portrait was taken down, cut from its frame, and trimmed to fit the deceased's mummy, to which it was bound. It was at that time also that the gilding on the center painting was added.
Context
false
Related Image Identifier Link:
CMA_.1971.135.tif
ril
CMA_.1971.135.tif
Related Image Identifier Link
false