COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1972.341
amicoid
CMA_.1972.341
AMICA ID
false
AMICA Library Year:
2003
aly
2003
AMICA Library Year
false
Object Type:
Sculpture
oty
Sculpture
Object Type
false
Creator Nationality:
Africa, Ivory Coast, Baule, 20th century
crc
Africa, Ivory Coast, Baule, 20th century
Creator Nationality
false
Creator Name-CRT:
Africa, Ivory Coast, Baule, 20th century
crt
Africa, Ivory Coast, Baule, 20th century
Creator Name-CRT
false
Title:
Male Mask (ngblo gbagba)
otn
Male Mask (ngblo gbagba)
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Detail
rid
Detail
View
false
Creation Date:
c. 1940s
oct
c. 1940s
Creation Date
false
Creation Start Date:
1940
ocs
1940
Creation Start Date
false
Creation End Date:
1949
oce
1949
Creation End Date
false
Materials and Techniques:
wood
omd
wood
Materials and Techniques
false
Classification Term:
Sculpture
clt
Sculpture
Classification Term
false
Style or Period:
Africa, Ivory Coast, Baule, 20th century
std
Africa, Ivory Coast, Baule, 20th century
Style or Period
false
Dimensions:
Overall: 22.9cm
met
Overall: 22.9cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1972.341
ooa
1972.341
ID Number
false
Credit Line:
Gift of Katherine C. White
ooc
Gift of Katherine C. White
Credit Line
false
Rights:
orl
<a href="http://www.clevelandart.org/museum/disclaim2.html"target="_new">http://www.clevelandart.org/museum/disclaim2.html</a>
Rights
false
Provenance:
Stolper (1961)
opo
Stolper (1961)
Provenance
false
Context:
Used in performances at women's funerals and harvest festivals this mask was probably a generalized portrait of a specific person noted for his dancing skill, beauty, and reputation. He would have danced alongside his mask image during the performance. Smooth, rounded surfaces and clearly defined facial scarifications are marks of beauty and civility among the Baule.See video
cxd
Used in performances at women's funerals and harvest festivals this mask was probably a generalized portrait of a specific person noted for his dancing skill, beauty, and reputation. He would have danced alongside his mask image during the performance. Smooth, rounded surfaces and clearly defined facial scarifications are marks of beauty and civility among the Baule.See video
Context
false
Related Image Identifier Link:
CMA_.1972.341det01.tif
ril
CMA_.1972.341det01.tif
Related Image Identifier Link
false