COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1981.83
amicoid
CMA_.1981.83
AMICA ID
false
AMICA Library Year:
1999
aly
1999
AMICA Library Year
false
Object Type:
Paintings
oty
Paintings
Object Type
false
Creator Name:
Hartley, Marsden
crn
Hartley, Marsden
Creator Name
false
Creator Nationality:
North American; American
crc
North American; American
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
1877 - 1943
cdt
1877 - 1943
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Marsden Hartley
crt
Marsden Hartley
Creator Name-CRT
false
Title:
Military
otn
Military
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
1914-1915
oct
1914-1915
Creation Date
false
Creation Start Date:
1914
ocs
1914
Creation Start Date
false
Creation End Date:
1915
oce
1915
Creation End Date
false
Materials and Techniques:
oil on canvas
omd
oil on canvas
Materials and Techniques
false
Dimensions:
Unframed: 60.3cm x 49.4cm
met
Unframed: 60.3cm x 49.4cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1981.83
ooa
1981.83
ID Number
false
Credit Line:
Gift of Professor Nelson Goodman
ooc
Gift of Professor Nelson Goodman
Credit Line
false
Inscriptions:
signed on back: Marsden Hartley
oin
signed on back: Marsden Hartley
Inscriptions
false
Rights:
orl
<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>
Rights
false
Provenance:
artist's sale, New York, 1921 ("Pre-War Pageant"). Albert Barnes, Philadelphia. Charles Demuth, Lancaster, Penn., by descent.
opo
artist's sale, New York, 1921 ("Pre-War Pageant"). Albert Barnes, Philadelphia. Charles Demuth, Lancaster, Penn., by descent.
Provenance
false
Context:
Marsden Hartley developed a personal language of symbols that he used in his paintings like a code to be deciphered. In Military, these signs record impressions of parades and celebrations that Hartley witnessed while living in Berlin in the years before World War I. Bright colors and geometric shapes recall the ribbons, medallions and banners of military pageantry. Some of these symbols refer to a Prussian soldier named Karl von Freyburg, who was a close friend of Hartley and was killed in 1914. Forexample, the four-petaled red and black shape near the center of the canvas alludes to von Freyburg's membership in the fourth regimental unit of the German Kaiser's guards. When combined with the red "2" painted below, it also symbolizes the number 24---von Freyburg's age when he died. More generally, the red cross on a white background denotes the flag of the International Red Cross as a reminder of humanitarian concerns amidst the loss and destruction of war.
cxd
Marsden Hartley developed a personal language of symbols that he used in his paintings like a code to be deciphered. In Military, these signs record impressions of parades and celebrations that Hartley witnessed while living in Berlin in the years before World War I. Bright colors and geometric shapes recall the ribbons, medallions and banners of military pageantry. Some of these symbols refer to a Prussian soldier named Karl von Freyburg, who was a close friend of Hartley and was killed in 1914. Forexample, the four-petaled red and black shape near the center of the canvas alludes to von Freyburg's membership in the fourth regimental unit of the German Kaiser's guards. When combined with the red "2" painted below, it also symbolizes the number 24---von Freyburg's age when he died. More generally, the red cross on a white background denotes the flag of the International Red Cross as a reminder of humanitarian concerns amidst the loss and destruction of war.
Context
false
Related Image Identifier Link:
CMA_.1981.83.tif
ril
CMA_.1981.83.tif
Related Image Identifier Link
false