COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1992.1
amicoid
CMA_.1992.1
AMICA ID
false
AMICA Library Year:
2003
aly
2003
AMICA Library Year
false
Object Type:
Paintings
oty
Paintings
Object Type
false
Creator Name:
Huang Gongwang
crn
Huang Gongwang
Creator Name
false
Creator Nationality:
Chinese
crc
Chinese
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
1269 - 1354
cdt
1269 - 1354
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Huang Gongwang
crt
Huang Gongwang
Creator Name-CRT
false
Title:
Summer Mountains (after Dong Yuan [active about ad 937-975])
otn
Summer Mountains (after Dong Yuan [active about ad 937-975])
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
1290-1354
oct
1290-1354
Creation Date
false
Creation Start Date:
1290
ocs
1290
Creation Start Date
false
Creation End Date:
1354
oce
1354
Creation End Date
false
Materials and Techniques:
hanging scroll, ink and slight color on silk
omd
hanging scroll, ink and slight color on silk
Materials and Techniques
false
Classification Term:
Painting
clt
Painting
Classification Term
false
Dimensions:
Image: 131.7cm x 55.6cm, Overall: 257.4cm x 71.2cm
met
Image: 131.7cm x 55.6cm, Overall: 257.4cm x 71.2cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1992.1
ooa
1992.1
ID Number
false
Credit Line:
Cornelia Blakemore Warner Bequest, by exchange, and Mr. and Mrs. William H. Marlatt Fund
ooc
Cornelia Blakemore Warner Bequest, by exchange, and Mr. and Mrs. William H. Marlatt Fund
Credit Line
false
Rights:
orl
<a href="http://www.clevelandart.org/museum/disclaim2.html"target="_new">http://www.clevelandart.org/museum/disclaim2.html</a>
Rights
false
Context:
This monumental landscape is drawn in softly rounded strokes with darker lines frequently applied on top of lighter ones. This technique recalls one of the suggestions included in a collection of the artist's writings known as Secrets of Landscape Painting: The most difficult thing in painting is using the ink. One begins by using dilute ink and builds it up to the point where it begins to look right; then one uses dense, black ink, applied fairly dry, and washes of deeper-toned ink. Thus one distinguishes the fields from the paths, the far from the near.Huang Gongwang may have learned this technique from observing nature through the eyes of an earlier master, Dong Yuan, a painter whose style he shared.
cxd
This monumental landscape is drawn in softly rounded strokes with darker lines frequently applied on top of lighter ones. This technique recalls one of the suggestions included in a collection of the artist's writings known as Secrets of Landscape Painting: The most difficult thing in painting is using the ink. One begins by using dilute ink and builds it up to the point where it begins to look right; then one uses dense, black ink, applied fairly dry, and washes of deeper-toned ink. Thus one distinguishes the fields from the paths, the far from the near.Huang Gongwang may have learned this technique from observing nature through the eyes of an earlier master, Dong Yuan, a painter whose style he shared.
Context
false
Related Image Identifier Link:
CMA_.1992.1.tif
ril
CMA_.1992.1.tif
Related Image Identifier Link
false