Detail View: The AMICA Library: Articles of Glass
|
AMICA ID:
|
CMA_.1992.121
|
|
AMICA Library Year:
|
1998
|
|
Object Type:
|
Photographs
|
|
Creator Name:
|
Talbot, William Henry Fox
|
|
Creator Nationality:
|
European; British
|
|
Creator Role:
|
artist
|
|
Creator Dates/Places:
|
1800 - 1877
|
|
Biography:
|
William Henry Fox Talbot British, 1800-1877Born in Melbury, Dorset, Fox Talbot was a gentleman of the 19th century who, like many others of his class, pursued leisure activities in the arts and sciences. He experimented with means for capturing permanently the elusive images formed on paper by the camera obscura, an instrument used as a drawing aid. After several years of varying results, Talbot successfully devised a process that chemically recorded the image made by light on a piece of paper. On February 21, 1839, one month after the announcement of Louis-Jacques-Mandé Daguerre's photographic process, Talbot presented his experiments to the Royal Society in London. Talbot's process differed greatly from that of Daguerre. Unlike the daguerreotype's sharply detailed image, the calotype, or Talbotype, was softly blurred; yet because the positive image was made from a negative, it had the advantage of multiple reproduction. This formed the basis of conventional photography. A graduate of Trinity College, Cambridge, Talbot was a man of scholarly and scientific bent whose interests included optics and botany. Before his work in photography, he also had published on mathematics and linguistics. He later played an important role in the deciphering of Assyrian and other cuneiform inscriptions of interest to biblical scholars. Talbot was made a Fellow of the Royal Society at age 32. He is credited with the first photographic negative, which still exists, a view of a set of windows at his home, Lacock Abbey. He invented a form of engraving that was a forerunner of photogravure, as well as other innovations in the quickly growing art form for which he was largely responsible. Talbot's The Pencil of Nature (1844-46) and Sun Pictures in Scotland (1845) are two of the earliest photographically illustrated books. T.W.F.
|
|
Gender:
|
M
|
|
Creator Birth Place:
|
Melbury, Dorset, England
|
|
Creator Death Place:
|
Lacock Abbey, Wiltshire, England
|
|
Creator Name-CRT:
|
William Henry Fox Talbot
|
|
Title:
|
Articles of Glass
|
|
Title Type:
|
Primary
|
|
View:
|
Full View
|
|
Creation Date:
|
1843
|
|
Creation Start Date:
|
1843
|
|
Creation End Date:
|
1843
|
|
Materials and Techniques:
|
salted paper print from calotype negative
|
|
Classification Term:
|
Photography
|
|
Dimensions:
|
Sheet: 18.6cm x 23cm, Image: 13.2cm x 15.1cm
|
|
AMICA Contributor:
|
The Cleveland Museum of Art
|
|
Owner Location:
|
Cleveland, Ohio, USA
|
|
ID Number:
|
1992.121
|
|
Credit Line:
|
Andrew R. and Martha Holden Jennings Fund
|
|
Inscriptions:
|
Written in black ink on verso: "LA 4"
|
|
Rights:
|
|
|
Context:
|
Pursuing such diverse interests as language, mathematics, botany, and optics, William Henry Fox Talbot was a prominent scholar and scientist. In 1839, he invented the first system of positiive and negative photography---the calotype process. The basis of all modern photography, the calotype's paper negative made possible the infinite reproduction of prints from a single negative. In Articles of Glass, three rows of sparkling glass objects are isolated against a dark background, illustrating the new medium's ability to capture the nuances of light and record reality. A remarkable technical and aesthetic achievement, the image testifies to Talbot's artistry and classical sensibilities, expressed through his use of symmetry and a central focus. This image was included in Talbot's The Pencil of Nature (1844), one of the first books illustrated with actual photographic prints.
|
|
Related Image Identifier Link:
|
CMA_.1992.121.tif
|