COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1996.300
amicoid
CMA_.1996.300
AMICA ID
false
AMICA Library Year:
2000
aly
2000
AMICA Library Year
false
Object Type:
Paintings
oty
Paintings
Object Type
false
Creator Name:
Lecomte du Nouÿ, Jean
crn
Lecomte du Nouÿ, Jean
Creator Name
false
Creator Nationality:
European; French
crc
European; French
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
1842 - 1923
cdt
1842 - 1923
Creator Dates/Places
false
Biography:
Jean Lecomte du Nouÿ was the descendant of a noble Piedmontese family that settled in France in the fourteenth century. In 1861, at age nineteen, he entered the studio of Charles Gleyre (1808-1874) and two years later trained under the guidance of Émile Signol (1804-1892). With his fascination for historical and exotic subjects in mind, Lecomte du Nouÿ entered the studio of Gérôme (q.v.) in 1864. Lecomte du Nouÿ began exhibiting at the Salon in 1863 and received his first critical approval two years later for Le sentinel grec (1865), based on the tragedy Oresteia (458 BC) by Aeschylus. One year later he won a gold medal for another classical subject, Invocation de Neptune (1866, Musée des Beaux Arts, Lille), which exempted him from jury approval for future Salons. In 1865 Gérôme encouraged him to join Félix Clément (1826-1888) on a trip to Egypt, as the latter had received a commission to decorate the Choubrah Palace of Prince Halim near Cairo. The Franco-Prussian War (1870-71) meant hardship for many artists, including Lecomte du Nouÿ who struggled to get by without commissions. In 1872 he won the Second Prix de Rome and received a good deal of attention at the Salon with Les porteurs de mauvaises nouvelles (Ministère de Affaires Culturelles, Tunis), which was bought by the state for the Musée du Luxembourg. That same year the French government asked him to go to Venice to copy The Marriage of St. Ursula by Carpaccio for the École des Beaux-Arts. Three years later he painted an altarpiece for the chapel of St.-Vincent-de-Paul in the church of La Trinité in Paris. He traveled throughout his life and, in 1875, embarked on an extensive voyage to Greece, Egypt, Turkey, and Asia Minor. Twenty years later, on his way to Constantinople, he stopped in Bucharest in order to visit his brother, André Lecomte du Nouÿ (1844-1914), who was a court architect. He ended up staying several years, as he received commissions for portraits of members of the royal family and frescoes in Romanian churches. Throughout his career, Lecomte du Nouÿ painted many religious and history paintings; he was also a prolific portraitist and sculptor. In 1875 he married Mlle Peigné-Crémieux, who died soon afterward; in 1891 he married Caroline Evrard.
crb
Jean Lecomte du Nouÿ was the descendant of a noble Piedmontese family that settled in France in the fourteenth century. In 1861, at age nineteen, he entered the studio of Charles Gleyre (1808-1874) and two years later trained under the guidance of Émile Signol (1804-1892). With his fascination for historical and exotic subjects in mind, Lecomte du Nouÿ entered the studio of Gérôme (q.v.) in 1864. Lecomte du Nouÿ began exhibiting at the Salon in 1863 and received his first critical approval two years later for Le sentinel grec (1865), based on the tragedy Oresteia (458 BC) by Aeschylus. One year later he won a gold medal for another classical subject, Invocation de Neptune (1866, Musée des Beaux Arts, Lille), which exempted him from jury approval for future Salons. In 1865 Gérôme encouraged him to join Félix Clément (1826-1888) on a trip to Egypt, as the latter had received a commission to decorate the Choubrah Palace of Prince Halim near Cairo. The Franco-Prussian War (1870-71) meant hardship for many artists, including Lecomte du Nouÿ who struggled to get by without commissions. In 1872 he won the Second Prix de Rome and received a good deal of attention at the Salon with Les porteurs de mauvaises nouvelles (Ministère de Affaires Culturelles, Tunis), which was bought by the state for the Musée du Luxembourg. That same year the French government asked him to go to Venice to copy The Marriage of St. Ursula by Carpaccio for the École des Beaux-Arts. Three years later he painted an altarpiece for the chapel of St.-Vincent-de-Paul in the church of La Trinité in Paris. He traveled throughout his life and, in 1875, embarked on an extensive voyage to Greece, Egypt, Turkey, and Asia Minor. Twenty years later, on his way to Constantinople, he stopped in Bucharest in order to visit his brother, André Lecomte du Nouÿ (1844-1914), who was a court architect. He ended up staying several years, as he received commissions for portraits of members of the royal family and frescoes in Romanian churches. Throughout his career, Lecomte du Nouÿ painted many religious and history paintings; he was also a prolific portraitist and sculptor. In 1875 he married Mlle Peigné-Crémieux, who died soon afterward; in 1891 he married Caroline Evrard.
Biography
false
Gender:
M
cgn
M
Gender
false
Creator Birth Place:
Paris, 10 June 1842
cbp
Paris, 10 June 1842
Creator Birth Place
false
Creator Death Place:
Paris, 19 February 1923
cdp
Paris, 19 February 1923
Creator Death Place
false
Creator Name-CRT:
Jean Lecomte du Nouÿ
crt
Jean Lecomte du Nouÿ
Creator Name-CRT
false
Title:
Sketch for "The Oriental Dream"
otn
Sketch for "The Oriental Dream"
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
before 1904
oct
before 1904
Creation Date
false
Creation Start Date:
1899
ocs
1899
Creation Start Date
false
Creation End Date:
1904
oce
1904
Creation End Date
false
Materials and Techniques:
oil on fabric
omd
oil on fabric
Materials and Techniques
false
Dimensions:
Unframed: 12.4cm x 19.6cm
met
Unframed: 12.4cm x 19.6cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1996.300
ooa
1996.300
ID Number
false
Credit Line:
Sundry Purchase Fund
ooc
Sundry Purchase Fund
Credit Line
false
Rights:
orl
<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>
Rights
false
Provenance:
The artist's descendants. Galerie Hahn, Paris, by 1995. Galerie Sanct Lucas, Vienna. Purchased by the CMA in 1996.
opo
The artist's descendants. Galerie Hahn, Paris, by 1995. Galerie Sanct Lucas, Vienna. Purchased by the CMA in 1996.
Provenance
false
Related Image Identifier Link:
CMA_.1996.300.tif
ril
CMA_.1996.300.tif
Related Image Identifier Link
false