COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1998.124.63.a
amicoid
CMA_.1998.124.63.a
AMICA ID
false
AMICA Library Year:
2002
aly
2002
AMICA Library Year
false
Object Type:
Books
oty
Books
Object Type
false
Creator Name:
Master of Gijsbrecht van Brederode
crn
Master of Gijsbrecht van Brederode
Creator Name
false
Creator Nationality:
European; Netherlandish
crc
European; Netherlandish
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
c. 1444 - 1519
cdt
c. 1444 - 1519
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Master of Gijsbrecht van Brederode
crt
Master of Gijsbrecht van Brederode
Creator Name-CRT
false
Creator Name:
Master of the Boston City of God
crn
Master of the Boston City of God
Creator Name
false
Creator Nationality:
European; Netherlandish
crc
European; Netherlandish
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
c. 1444 - 1519
cdt
c. 1444 - 1519
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Master of the Boston City of God
crt
Master of the Boston City of God
Creator Name-CRT
false
Title:
Book of Hours (Use of Utrecht): fol. 63 (recto)
otn
Book of Hours (Use of Utrecht): fol. 63 (recto)
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
c. 1460-1465
oct
c. 1460-1465
Creation Date
false
Creation Start Date:
1460
ocs
1460
Creation Start Date
false
Creation End Date:
1465
oce
1465
Creation End Date
false
Materials and Techniques:
ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards
omd
ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards
Materials and Techniques
false
Classification Term:
Manuscript
clt
Manuscript
Classification Term
false
Dimensions:
Overall: 5.9cm x 11.6cm
met
Overall: 5.9cm x 11.6cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1998.124.63.a
ooa
1998.124.63.a
ID Number
false
Credit Line:
Gift of Milton B. Freudenheim in memory of his wife, Elizabeth Ege Freudenheim
ooc
Gift of Milton B. Freudenheim in memory of his wife, Elizabeth Ege Freudenheim
Credit Line
false
Rights:
orl
<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>
Rights
false
Context:
This manuscript is a collaborative effort of two talented illuminators with distinctive styles. Ninety-seven historiated initials (letters containing scenes), including the one on recto (right side) shown here, are by the Master of the Boston City of God, a painter who worked in Utrecht. Four full-page miniatures (small paintings), including the Nativity on the verso (left side), have recently been attributed to the Master of Gijsbrecht van Brederode. The background of the Nativity depicts a distant cityscape (perhaps Utrecht), adjacent to which may be seen the Journey of the Magi and the Annunciation to the Shepherds. In the left margin, the Virgin Mary (above) appears to the Roman Emperor Augustus and the Tiburtine Sibyl, who, according to legend, foretold the coming of Christ. This volume is not written in Latin, but in a Dutch littera textualis, an elegant Gothic bookhand.
cxd
<P>This manuscript is a collaborative effort of two talented illuminators with distinctive styles. Ninety-seven historiated initials (letters containing scenes), including the one on recto (right side) shown here, are by the Master of the Boston City of God, a painter who worked in Utrecht. Four full-page miniatures (small paintings), including the Nativity on the verso (left side), have recently been attributed to the Master of Gijsbrecht van Brederode. The background of the Nativity depicts a distant cityscape (perhaps Utrecht), adjacent to which may be seen the Journey of the Magi and the Annunciation to the Shepherds. In the left margin, the Virgin Mary (above) appears to the Roman Emperor Augustus and the Tiburtine Sibyl, who, according to legend, foretold the coming of Christ. This volume is not written in Latin, but in a Dutch littera textualis, an elegant Gothic bookhand.</p>
Context
false
Link to Work:
CMA_.1998.124.14.a
rwl
CMA_.1998.124.14.a
Link to Work
false
Link to Work:
CMA_.1998.124.157.b
rwl
CMA_.1998.124.157.b
Link to Work
false
Link to Work:
CMA_.1998.124.158.a
rwl
CMA_.1998.124.158.a
Link to Work
false
Link to Work:
CMA_.1998.124.174.b
rwl
CMA_.1998.124.174.b
Link to Work
false
Link to Work:
CMA_.1998.124.221.b
rwl
CMA_.1998.124.221.b
Link to Work
false
Link to Work:
CMA_.1998.124.222.a
rwl
CMA_.1998.124.222.a
Link to Work
false
Link to Work:
CMA_.1998.124.62.b
rwl
CMA_.1998.124.62.b
Link to Work
false
Link to Work:
CMA_.1998.124.175.a
rwl
CMA_.1998.124.175.a
Link to Work
false
Related Image Identifier Link:
CMA_.AM20020917.tif
ril
CMA_.AM20020917.tif
Related Image Identifier Link
false