COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1998.185
amicoid
CMA_.1998.185
AMICA ID
false
AMICA Library Year:
2002
aly
2002
AMICA Library Year
false
Object Type:
Prints
oty
Prints
Object Type
false
Creator Name:
Luce, Maximilien
crn
Luce, Maximilien
Creator Name
false
Creator Nationality:
European; French
crc
European; French
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
1858 - 1941
cdt
1858 - 1941
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Maximilien Luce
crt
Maximilien Luce
Creator Name-CRT
false
Title:
Saint-Tropez
otn
Saint-Tropez
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
1897
oct
1897
Creation Date
false
Creation Start Date:
1897
ocs
1897
Creation Start Date
false
Creation End Date:
1897
oce
1897
Creation End Date
false
Materials and Techniques:
color lithograph
omd
color lithograph
Materials and Techniques
false
Classification Term:
Print
clt
Print
Classification Term
false
Dimensions:
Image: 25.8cm x 39.1cm
met
Image: 25.8cm x 39.1cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1998.185
ooa
1998.185
ID Number
false
Credit Line:
Alma and Robert D. Milne Fund
ooc
Alma and Robert D. Milne Fund
Credit Line
false
Inscriptions:
signed in green crayon, lower right and numbered "no. 36", lower right in pencil
oin
signed in green crayon, lower right and numbered "no. 36", lower right in pencil
Inscriptions
false
Copyright:
? Artists Rights Society (ARS), New York / ADAGP, Paris
ors
? Artists Rights Society (ARS), New York / ADAGP, Paris
Copyright
false
Rights:
orl
<a href="http://www.arsny.com"target="_new">http://www.arsny.com</a>
Rights
false
Context:
This is a brilliant impression of Luce's most important color lithograph, which exemplifies the ideas of his close friend and fellow artist Paul Signac (1863-1935): that optical effects of color are achieved by the juxtaposition of touches of pure pigment. In his paintings, Luce used strokes of the brush rather than the pointillist dots of color favored by painters such as Georges Seurat (1859-1891). When using lithography Luce placed dashes of different colors side by side so that they would interact, achieving a rich glow of color.
cxd
<P>This is a brilliant impression of Luce's most important color lithograph, which exemplifies the ideas of his close friend and fellow artist Paul Signac (1863-1935): that optical effects of color are achieved by the juxtaposition of touches of pure pigment. In his paintings, Luce used strokes of the brush rather than the pointillist dots of color favored by painters such as Georges Seurat (1859-1891). When using lithography Luce placed dashes of different colors side by side so that they would interact, achieving a rich glow of color.</p>
Context
false
Related Image Identifier Link:
CMA_.AM20020922.tif
ril
CMA_.AM20020922.tif
Related Image Identifier Link
false