COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
AIC_.1920.265
amicoid
AIC_.1920.265
AMICA ID
false
AMICA Library Year:
1998
aly
1998
AMICA Library Year
false
Object Type:
Sculpture
oty
Sculpture
Object Type
false
Creator Name:
Unknown
crn
Unknown
Creator Name
false
Creator Nationality:
African; North African; Egyptian
crc
African; North African; Egyptian
Creator Nationality
false
Creator Dates/Places:
Ancient Egypt Africa,North Africa,Egypt
cdt
Ancient Egypt Africa,North Africa,Egypt
Creator Dates/Places
false
Creator Name-CRT:
Egyptian
crt
Egyptian
Creator Name-CRT
false
Title:
Wall Fragment from the Tomb of Thenti
otn
Wall Fragment from the Tomb of Thenti
Title
false
Title Type:
preferred
ott
preferred
Title Type
false
View:
full view
rid
full view
View
false
Creation Date:
Old Kingdom, Dynasty 5, c. 2524 - 2400
oct
Old Kingdom, Dynasty 5, c. 2524 - 2400
Creation Date
false
Creation Start Date:
-2524
ocs
-2524
Creation Start Date
false
Creation End Date:
-2400
oce
-2400
Creation End Date
false
Materials and Techniques:
Limestone
omd
Limestone
Materials and Techniques
false
Subject Description:
This relief fragment from the tomb of the judge and scribe Thenti shows the deceased and his wife sitting on either side of an offering table piled with reed-shaped loaves of bread. Thenti wears the classic knee-length kilt, the belt looped at his waist.His hair or wig is closely cropped and he is clean-shaven. His wife, whose name is now illegible, wears a tight sheath dress that stops just below her breasts. She is ornamented with a beaded necklace, a choker, and bracelets, and a heavy wig composed ofa series of braids. Their son, also named Thenti, stands behind his mother. A small girl, whom the hieroglypic text identifies as Thenti's granddaughter, stands anchored on her own small baseline. She sucks her finger in a gesture traditionally associated with small children in Egyptian art. This scene displays many features of the classic Egyptian artistic conventions for human representation. The small toes of the near foot, for example, are invisible, the feet being rendered identically. When both feet are visible as with the younger Thenti, the arch of each foot is visible, as if both were viewed from the inside. Only one of the woman's breasts is portrayed, for her torso is shown in combined profile and frontal views to express simultaneously its width and contour.
sup
This relief fragment from the tomb of the judge and scribe Thenti shows the deceased and his wife sitting on either side of an offering table piled with reed-shaped loaves of bread. Thenti wears the classic knee-length kilt, the belt looped at his waist.His hair or wig is closely cropped and he is clean-shaven. His wife, whose name is now illegible, wears a tight sheath dress that stops just below her breasts. She is ornamented with a beaded necklace, a choker, and bracelets, and a heavy wig composed ofa series of braids. Their son, also named Thenti, stands behind his mother. A small girl, whom the hieroglypic text identifies as Thenti's granddaughter, stands anchored on her own small baseline. She sucks her finger in a gesture traditionally associated with small children in Egyptian art. This scene displays many features of the classic Egyptian artistic conventions for human representation. The small toes of the near foot, for example, are invisible, the feet being rendered identically. When both feet are visible as with the younger Thenti, the arch of each foot is visible, as if both were viewed from the inside. Only one of the woman's breasts is portrayed, for her torso is shown in combined profile and frontal views to express simultaneously its width and contour.
Subject Description
false
Creation Place:
Africa,North Africa,Egypt
ocp
Africa,North Africa,Egypt
Creation Place
false
Dimensions:
H.: 53.3 cm (21 in.); W.: 83.8 cm (33 in.)
met
H.: 53.3 cm (21 in.); W.: 83.8 cm (33 in.)
Dimensions
false
AMICA Contributor:
The Art Institute of Chicago
oon
The Art Institute of Chicago
AMICA Contributor
false
Owner Location:
Chicago, Illinois, USA
oop
Chicago, Illinois, USA
Owner Location
false
ID Number:
1920.265
ooa
1920.265
ID Number
false
Credit Line:
The Art Institute of Chicago, Museum Purchase Fund
ooc
The Art Institute of Chicago, Museum Purchase Fund
Credit Line
false
Inscriptions:
The '..judge and scribe Thent' appears sitting opposite his wife. Over table listed 'incense,..' below hopes for a 'thousand of beer, a thousand of clothing...' The hieroglyphic texts enumerate the offerings that were desired to sustain Thenti and his family in the afterlife. In addition to food, he requests clothing, linen, incense, green and black eye paint, and material used in the embalming process.
oin
The '..judge and scribe Thent' appears sitting opposite his wife. Over table listed 'incense,..' below hopes for a 'thousand of beer, a thousand of clothing...' The hieroglyphic texts enumerate the offerings that were desired to sustain Thenti and his family in the afterlife. In addition to food, he requests clothing, linen, incense, green and black eye paint, and material used in the embalming process.
Inscriptions
false
Rights:
orl
<a href="http://www.artic.edu/aic/rights/main.rights.html"target="_new">http://www.artic.edu/aic/rights/main.rights.html</a>
Rights
false
Related Image Identifier Link:
AIC_.E27897.TIF
ril
AIC_.E27897.TIF
Related Image Identifier Link
false