COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
AIC_.1938.525
amicoid
AIC_.1938.525
AMICA ID
false
AMICA Library Year:
1998
aly
1998
AMICA Library Year
false
Object Type:
Prints
oty
Prints
Object Type
false
Creator Name:
Katsukawa, Shunsho
crn
Katsukawa, Shunsho
Creator Name
false
Creator Nationality:
Asian; Far East Asian; Japanese
crc
Asian; Far East Asian; Japanese
Creator Nationality
false
Creator Dates/Places:
Japanese; 1726-1792 Asia,East Asia,Japan
cdt
Japanese; 1726-1792 Asia,East Asia,Japan
Creator Dates/Places
false
Creator Name-CRT:
Katsukawa Shunsho
crt
Katsukawa Shunsho
Creator Name-CRT
false
Title:
One of four pages from the illustrated book
otn
One of four pages from the illustrated book
Title
false
Title Type:
preferred
ott
preferred
Title Type
false
View:
full view
rid
full view
View
false
Creation Date:
c. 1771/72
oct
c. 1771/72
Creation Date
false
Creation Start Date:
1771
ocs
1771
Creation Start Date
false
Creation End Date:
1772
oce
1772
Creation End Date
false
Materials and Techniques:
Woodblock print.
omd
Woodblock print.
Materials and Techniques
false
Classification Term:
Woodblock
clt
Woodblock
Classification Term
false
Creation Place:
Asia,East Asia,Japan
ocp
Asia,East Asia,Japan
Creation Place
false
Dimensions:
17.0 x 27.2 cm
met
17.0 x 27.2 cm
Dimensions
false
AMICA Contributor:
The Art Institute of Chicago
oon
The Art Institute of Chicago
AMICA Contributor
false
Owner Location:
Chicago, Illinois, USA
oop
Chicago, Illinois, USA
Owner Location
false
ID Number:
1938.525
ooa
1938.525
ID Number
false
Credit Line:
The Art Institute of Chicago, The Clarence Buckingham Collection
ooc
The Art Institute of Chicago, The Clarence Buckingham Collection
Credit Line
false
Rights:
orl
<a href="http://www.artic.edu/aic/rights/main.rights.html"target="_new">http://www.artic.edu/aic/rights/main.rights.html</a>
Rights
false
Context:
This scene, set before the bamboo-pole enclosure of a playing ground for court football (kemari), is based loosely on the events of 'New Herbs: Part One' (Wakana no Jo), chapter 34 of the Tale of Genji. Yamashita Kinsaku II (right) plays the part of Mutsuhana, a daughter of Regent Michinaga. Mutsuhana serves as lady-in-waiting to the Third Princess (Nyosan no Miya) and as go-between in the love affair between the Third Princess and the young courtier Kashiwagi no Emon (played by Bando Mitsugoro I, standing center). Here she is holding a branch of maple from which is hanging one of the deerskin footballs used in the game of kemari. At Kashiwagi's feet kneels the muscular manservant Akamatsu Mushanosuke (played by Nakamura Sukegoro II in allover red body makeup).Kabuki Nempyo relates that Ichikawa Danjuro V as Mumezu no Kamon made his entrance together with Kinsaku II and Sukegoro II via a trapdoor in the stage. He demanded that Kashiwagi give up the Third Princess to him and hit Kashiwagi on the head with a kemari boot when the latter refused, in a parody of the famous dispute over a woman between Fuwa Banzaemon and Nagoya Sanza (see The Actor's Image' catalogue, No. 30, 110).
cxd
This scene, set before the bamboo-pole enclosure of a playing ground for court football (kemari), is based loosely on the events of 'New Herbs: Part One' (Wakana no Jo), chapter 34 of the Tale of Genji. Yamashita Kinsaku II (right) plays the part of Mutsuhana, a daughter of Regent Michinaga. Mutsuhana serves as lady-in-waiting to the Third Princess (Nyosan no Miya) and as go-between in the love affair between the Third Princess and the young courtier Kashiwagi no Emon (played by Bando Mitsugoro I, standing center). Here she is holding a branch of maple from which is hanging one of the deerskin footballs used in the game of kemari. At Kashiwagi's feet kneels the muscular manservant Akamatsu Mushanosuke (played by Nakamura Sukegoro II in allover red body makeup).Kabuki Nempyo relates that Ichikawa Danjuro V as Mumezu no Kamon made his entrance together with Kinsaku II and Sukegoro II via a trapdoor in the stage. He demanded that Kashiwagi give up the Third Princess to him and hit Kashiwagi on the head with a kemari boot when the latter refused, in a parody of the famous dispute over a woman between Fuwa Banzaemon and Nagoya Sanza (see The Actor's Image' catalogue, No. 30, 110).
Context
false
Related Image Identifier Link:
AIC_.E19684.TIF
ril
AIC_.E19684.TIF
Related Image Identifier Link
false