COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
MIA_.50.46.110
amicoid
MIA_.50.46.110
AMICA ID
false
AMICA Library Year:
2003
aly
2003
AMICA Library Year
false
Object Type:
Decorative Arts and Utilitarian Objects
oty
Decorative Arts and Utilitarian Objects
Object Type
false
Creator Nationality:
China
crc
China
Creator Nationality
false
Creator Name-CRT:
China
crt
China
Creator Name-CRT
false
Title:
Pien Chung (Ceremonial Bell)
otn
Pien Chung (Ceremonial Bell)
Title
false
View:
Front
rid
Front
View
false
Creation Date:
early 5th century B.C.
oct
early 5th century B.C.
Creation Date
false
Creation Start Date:
-599
ocs
-599
Creation Start Date
false
Creation End Date:
-500
oce
-500
Creation End Date
false
Materials and Techniques:
Bronze
omd
Bronze
Materials and Techniques
false
Classification Term:
Metalwork
clt
Metalwork
Classification Term
false
Dimensions:
H.23 in.
met
H.23 in.
Dimensions
false
AMICA Contributor:
The Minneapolis Institute of Arts
oon
The Minneapolis Institute of Arts
AMICA Contributor
false
Owner Location:
Minneapolis, Minnesota, USA
oop
Minneapolis, Minnesota, USA
Owner Location
false
ID Number:
50.46.110
ooa
50.46.110
ID Number
false
Credit Line:
Bequest of Alfred F. Pillsbury
ooc
Bequest of Alfred F. Pillsbury
Credit Line
false
Rights:
orl
<a href="http://www.artsmia.org/restrictions.cfm"target="_new">http://www.artsmia.org/restrictions.cfm</a>
Rights
false
Context:
Ritual music was an integral part of ancient Chinese ceremonies, and entire sets of graduated bells such as this have been excavated intact. The clapperless bells were suspended in order of size and struck to mark cadence during the various rites which were performed. The complex zoomorphic ornamentation this bell typifies is but one style of fifth-century bronze casting from northern China. Disguised in the center of the bottom decor zone is a t'ao-t'ieh mask, a stylistic revival of the original Shang dynasty motif.
cxd
Ritual music was an integral part of ancient Chinese ceremonies, and entire sets of graduated bells such as this have been excavated intact. The clapperless bells were suspended in order of size and struck to mark cadence during the various rites which were performed. The complex zoomorphic ornamentation this bell typifies is but one style of fifth-century bronze casting from northern China. Disguised in the center of the bottom decor zone is a t'ao-t'ieh mask, a stylistic revival of the original Shang dynasty motif.
Context
false
Related Image Identifier Link:
MIA_.24715c.tif
ril
MIA_.24715c.tif
Related Image Identifier Link
false