The Annunciation

COLLECTION NAME:

The AMICA Library

mediaCollectionId

AMICO~1~1

The AMICA Library

Collection

true

AMICA ID:

MIA_.62.47

amicoid

MIA_.62.47

AMICA ID

false

AMICA Library Year:

2003

aly

2003

AMICA Library Year

false

Object Type:

Paintings

oty

Paintings

Object Type

false

Creator Name:

Masucci Agostino

crn

Masucci Agostino

Creator Name

false

Creator Nationality:

Italian (Rome), Rome

crc

Italian (Rome), Rome

Creator Nationality

false

Creator Role:

Artist

crr

Artist

Creator Role

false

Creator Dates/Places:

1691 - 1758

cdt

1691 - 1758

Creator Dates/Places

false

Gender:

M

cgn

M

Gender

false

Creator Name-CRT:

Agostino Masucci

crt

Agostino Masucci

Creator Name-CRT

false

Title:

The Annunciation

otn

The Annunciation

Title

false

View:

Front

rid

Front

View

false

Creation Date:

1742

oct

1742

Creation Date

false

Creation Start Date:

1742

ocs

1742

Creation Start Date

false

Creation End Date:

1742

oce

1742

Creation End Date

false

Materials and Techniques:

Oil on canvas

omd

Oil on canvas

Materials and Techniques

false

Classification Term:

Painting

clt

Painting

Classification Term

false

Dimensions:

38 3/4 x 26 7/8 in. (98.43 x 68.26 cm) (canvas)

met

38 3/4 x 26 7/8 in. (98.43 x 68.26 cm) (canvas)

Dimensions

false

AMICA Contributor:

The Minneapolis Institute of Arts

oon

The Minneapolis Institute of Arts

AMICA Contributor

false

Owner Location:

Minneapolis, Minnesota, USA

oop

Minneapolis, Minnesota, USA

Owner Location

false

ID Number:

62.47

ooa

62.47

ID Number

false

Credit Line:

The Ethel Morrison Van Derlip Fund

ooc

The Ethel Morrison Van Derlip Fund

Credit Line

false

Rights:

http://www.artsmia.org/restrictions.cfm

orl

<a href="http://www.artsmia.org/restrictions.cfm"target="_new">http://www.artsmia.org/restrictions.cfm</a>

Rights

false

Provenance:

Probably Celio Parisani, Ascoli Piceno, Italy, c. 1750.[1] Hayward, London, England in 1816.[2] (Old Master Gallery, London, England by 1962);[3] purchased by MIA in 1962.[1] The work was attributed to Maratta at this time. The picture bears a label [Carlo Maratta/from/Palazzo Parisani]. This presumably refers to the palazzo Parisani in Ascoli Piceno which had contemporary pictures apparently purchased in Rome by Celio Parisani c. 1750. According to the 'Guide of B. Orsini', 1790, there were two Parisani palaces, one with "modern" pictures of Nobile Signore Emidio Parisani whose son the painter, Celio was in Rome around 1750.[2] This entry is confirmed according to the label of Baker's [Barker's?] Depository, Kensington, October 16, 1816.[3] The work was attributed to Maratta at this time.

opo

Probably Celio Parisani, Ascoli Piceno, Italy, c. 1750.[1] Hayward, London, England in 1816.[2] (Old Master Gallery, London, England by 1962);[3] purchased by MIA in 1962.[1] The work was attributed to Maratta at this time. The picture bears a label [Carlo Maratta/from/Palazzo Parisani]. This presumably refers to the palazzo Parisani in Ascoli Piceno which had contemporary pictures apparently purchased in Rome by Celio Parisani c. 1750. According to the 'Guide of B. Orsini', 1790, there were two Parisani palaces, one with "modern" pictures of Nobile Signore Emidio Parisani whose son the painter, Celio was in Rome around 1750.[2] This entry is confirmed according to the label of Baker's [Barker's?] Depository, Kensington, October 16, 1816.[3] The work was attributed to Maratta at this time.

Provenance

false

Exhibition History:

- Gainesville, Florida, University of Florida, The University Gallery College of Fine Arts, "Transformations of the Roman Baroque" (October 4 - November 15, 1981), catalogue by Jean K. Westin and Robert H. Westin, no. 20, fig. 20 (b/w); subsequently, St. Petersburg, Florida, Museum of Fine Art (December 2 - January 17, 1982); Jacksonville, Florida, Cummer Gallery of Art (February 1 - March 15, 1982).

oeh

- Gainesville, Florida, University of Florida, The University Gallery College of Fine Arts, "Transformations of the Roman Baroque" (October 4 - November 15, 1981), catalogue by Jean K. Westin and Robert H. Westin, no. 20, fig. 20 (b/w); subsequently, St. Petersburg, Florida, Museum of Fine Art (December 2 - January 17, 1982); Jacksonville, Florida, Cummer Gallery of Art (February 1 - March 15, 1982).

Exhibition History

false

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The Annunciation