Creator Name-CRT
Washington Allston
Title
The Angel Releasing St. Peter from Prison
Creation Date
1814-16
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Josiah(Joshua) Boydell
Title
[A Collection of Prints from pictures painted for the purpose of illustrations, Erasmus of Rotterdam]
Creation Date
Dates not recorded
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Hugh Bridport
Title
Mrs. Thomas Lee Shippen
Creation Date
ca. 1816
AMICA Contributor
Smithsonian American Art Museum
Creator Name-CRT
Antonio Canova
Title
Terpsichore
Creation Date
1816
AMICA Contributor
The Cleveland Museum of Art
Creator Name-CRT
Pierre-Anthanase Chauvin
Title
A Convent Near Naples, with a View of Capri
Creation Date
1816
AMICA Contributor
Dallas Museum of Art
Creator Name-CRT
Jean-Baptiste-Camille Corot
Title
La Rive de l'étang après l'orage
Creation Date
n. d.
AMICA Contributor
The Frick Collection
Creator Name-CRT
Samuel Danforth
Title
Flagon
Creation Date
1795-1816
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Jacques-Louis David
Title
Leonidas at Thermopylae
Creation Date
ca. 1814
AMICA Contributor
The Metropolitan Museum of Art
Creator Name-CRT
Francisco Jose de Goya y Lucientes
Title
La Muerte de Pepe Illo
Creation Date
Madrid, 1816
AMICA Contributor
Dallas Museum of Art
Creator Name-CRT
Eugène Delacroix
Title
[Standing Academic Male Nude, Academic Nude, Standing Male Nude]
Creation Date
=1816 wkg inscr (artist?)
AMICA Contributor
The Art Institute of Chicago
Creator Name-CRT
Alvan Fisher
Title
Landscape with Cows
Creation Date
1816
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Alvin Fisher
Title
A Calm Watering Place--Extensive and Boundless Scene with Cattle
Creation Date
1816
AMICA Contributor
The Cleveland Museum of Art
Creator Name-CRT
Carl Philipp Fohr
Title
Ludwig Simon, Theological Student
Creation Date
1816
AMICA Contributor
The Detroit Institute of Arts
Creator Name-CRT
James Frothingham
Title
Mrs. Peter Gilman Robbins (Polly Williams)
Creation Date
about 1818
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Con razon ó sin ella. (Rightly or Wrongly); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 2.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Las mugeres dan valor. (The women give courage); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 4.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Bien te se está. (It serves you right); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 6.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Para eso habeis nacido. (This is what you were born for); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 12.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Para eso habeis nacido. (This is what you were born for); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 12.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Amarga presencia. (Bitter presence); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 13.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Enterrar y callar. (Bury them and keep quiet); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 18.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Será lo mismo. (It will be the same); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 21.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Aun podrán servir. (They can still be of use); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 24.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
También estos. (These, too); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 25.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Lo merecia. (He deserved it); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 29.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Fuerte cosa es! (This is too much); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 31.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Por qué? (Why?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 32.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Por una navaja. (For [carrying] a knife); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 34.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Modo con que los antiguos españoles cazaban los toros á caballo en el campo. (The way in which the ancient Spaniards hunted bulls on horseback in the open country); from the series "Tauromaquia" (Bullfighting), plate 1
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Otro modo de cazar á pie. (Another way of hunting on foot); from the series "Tauromaquia" (Bullfighting), plate 2
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
No quiren
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Tampoco
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Ni por esas
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Duro es al paso!
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Y no hai remedio
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Se aprovechan
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Se aprovechan
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Enterrar y callar
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Ya no hay tiempo
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Ya no hay tiempo
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Ya no hay tiempo
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
no se puede mirar
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Tampoco
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Esto es peor
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
B?¡rbaros!
Creation Date
Drawn and etched about 1810-1814, whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
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