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Browse All : Prints by Goya y Lucientes, Francisco from 1816 and 1746-1828

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Con razon ó sin ella. (Rightly or Wrongly); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 2.
Francisco Goya y Lucien...
Con razon ó sin ella. (...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Con razon ó sin ella. (Rightly or Wrongly); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 2.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Las mugeres dan valor. (The women give courage); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 4.
Francisco Goya y Lucien...
Las mugeres dan valor. ...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Las mugeres dan valor. (The women give courage); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 4.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Bien te se está. (It serves you right); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 6.
Francisco Goya y Lucien...
Bien te se está. (It se...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Bien te se está. (It serves you right); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 6.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Para eso habeis nacido. (This is what you were born for); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 12.
Francisco Goya y Lucien...
Para eso habeis nacido....
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Para eso habeis nacido. (This is what you were born for); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 12.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Para eso habeis nacido. (This is what you were born for); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 12.
Francisco Goya y Lucien...
Para eso habeis nacido....
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Para eso habeis nacido. (This is what you were born for); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 12.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Amarga presencia. (Bitter presence); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 13.
Francisco Goya y Lucien...
Amarga presencia. (Bitt...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Amarga presencia. (Bitter presence); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 13.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.
Francisco Goya y Lucien...
No se convienen. (They ...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Enterrar y callar. (Bury them and keep quiet); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 18.
Francisco Goya y Lucien...
Enterrar y callar. (Bur...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Enterrar y callar. (Bury them and keep quiet); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 18.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Será lo mismo. (It will be the same); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 21.
Francisco Goya y Lucien...
Será lo mismo. (It will...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Será lo mismo. (It will be the same); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 21.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Aun podrán servir. (They can still be of use); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 24.
Francisco Goya y Lucien...
Aun podrán servir. (The...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Aun podrán servir. (They can still be of use); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 24.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
También estos. (These, too); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 25.
Francisco Goya y Lucien...
También estos. (These, ...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
También estos. (These, too); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 25.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Lo merecia. (He deserved it); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 29.
Francisco Goya y Lucien...
Lo merecia. (He deserve...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Lo merecia. (He deserved it); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 29.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Fuerte cosa es! (This is too much); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 31.
Francisco Goya y Lucien...
Fuerte cosa es! (This i...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Fuerte cosa es! (This is too much); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 31.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Por qué? (Why?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 32.
Francisco Goya y Lucien...
Por qué? (Why?); Fatale...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Por qué? (Why?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 32.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Por una navaja. (For [carrying] a knife); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 34.
Francisco Goya y Lucien...
Por una navaja. (For [c...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Por una navaja. (For [carrying] a knife); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 34.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
Francisco Goya y Lucien...
No se puede saber por q...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Modo con que los antiguos españoles cazaban los toros á caballo en el campo. (The way in which the ancient Spaniards hunted bulls on horseback in the open country); from the series "Tauromaquia" (Bullfighting), plate 1
Francisco Goya y Lucien...
Modo con que los antigu...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Modo con que los antiguos españoles cazaban los toros á caballo en el campo. (The way in which the ancient Spaniards hunted bulls on horseback in the open country); from the series "Tauromaquia" (Bullfighting), plate 1
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Otro modo de cazar á pie. (Another way of hunting on foot); from the series "Tauromaquia" (Bullfighting), plate 2
Francisco Goya y Lucien...
Otro modo de cazar á pi...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Otro modo de cazar á pie. (Another way of hunting on foot); from the series "Tauromaquia" (Bullfighting), plate 2
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18
Francisco Goya y Lucien...
Temeridad de Martincho ...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Francisco Goya y Lucien...
Pepe Illo haciendo el r...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
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