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Browse All : Images by Museum of Fine Arts, Boston and Goya y Lucientes, Francisco from 1746-1828
1-46 of 46
Creator Name-CRT
Francisco Goya y Lucientes
Title
Two Hunters (Studies for two tapestry panels in the dining room of the Princes of Asturias in the Royal Palace of San Lorenzo del Escorial)
Creation Date
By 1775
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Balthasar Carlos, Prince of Spain, on Horseback
Creation Date
1778
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Asta su abuelo. (And so was his grandfather); Plate 39 from the series "Los Caprichos"
Creation Date
Drawn and etched 1797-1798, published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Ni mas ni menos. (Neither more nor less); Plate 41 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Tu que no puede. (You who cannot); Plate 42 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Correcion. (Corrrection); Plate 46 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Soplones. (Tale-bearers - Blasts of wind); Plate 48 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Los Chinchillas. (The Chinchillas); Plate 50 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Que pico de Oro. (What a golden beak); Plate 53 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Hasta la muerte. (Until Death); Plate 55 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Quien lo creyera! (Who would have thought it?); Plate 62 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Linda maestra! (Pretty teacher!); Plate 68 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Devota profesion. (Devout profession); Plate 70 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Si amenece; nos Vamos. (When day breaks, we will be off); Plate 71 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
¿No hay quien nos desate? (Can't anyone untie us?); Plate 75 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Blind Man Tossed on the Horns of a Bull (A VEUGLE ENLEVE SUR LES CORNES D'UN TAUREAU)
Creation Date
1800-04
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Con razon ó sin ella. (Rightly or Wrongly); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 2.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Las mugeres dan valor. (The women give courage); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 4.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Bien te se está. (It serves you right); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 6.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Para eso habeis nacido. (This is what you were born for); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 12.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Para eso habeis nacido. (This is what you were born for); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 12.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Amarga presencia. (Bitter presence); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 13.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Enterrar y callar. (Bury them and keep quiet); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 18.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Será lo mismo. (It will be the same); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 21.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Aun podrán servir. (They can still be of use); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 24.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
También estos. (These, too); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 25.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Lo merecia. (He deserved it); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 29.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Fuerte cosa es! (This is too much); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 31.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Por qué? (Why?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 32.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Por una navaja. (For [carrying] a knife); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 34.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Curarlos, y á otra. (Take care of them and on to the next); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 20.
Creation Date
Etched 1810; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Tanto y más. (All this and more); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 22.
Creation Date
Etched 1810; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Tanto y más. (All this and more); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 22.
Creation Date
Etched 1810; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Modo con que los antiguos españoles cazaban los toros á caballo en el campo. (The way in which the ancient Spaniards hunted bulls on horseback in the open country); from the series "Tauromaquia" (Bullfighting), plate 1
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Otro modo de cazar á pie. (Another way of hunting on foot); from the series "Tauromaquia" (Bullfighting), plate 2
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Disparate de Carnabal (Carnival Folly); from the "Disparates" series, plate 14
Creation Date
Drawn and etched about 1815-1817; printed about 1848-1854
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Disparate Claro (Evident Folly); from the "Disparates" series, plate 15
Creation Date
Drawn and etched about 1815-1817; printed about 1848-1854
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Disparate Pobre (Poor Folly); from the "Disparates" series, plate 11
Creation Date
Drawn and etched about 1815-1817; printed about 1848-1854
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Disparate de Tontos (Fool's Folly); plate from the "Disparates" (Follies) series, published in "L'Art", 1877
Creation Date
Drawn and etched 1815-1817; printed 1877
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Disparate puntual (Precise Folly); plate from the "Disparates" (Follies) series, published in "L'Art", 1877
Creation Date
Drawn and etched 1815-1817; printed 1877
AMICA Contributor
Museum of Fine Arts, Boston
Creator Name-CRT
Francisco Goya y Lucientes
Title
Picador Caught by a Bull; from the so-called "Bulls of Bordeaux" series of four lithographs
Creation Date
1825
AMICA Contributor
Museum of Fine Arts, Boston
1-46 of 46
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