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Browse All : Images by Museum of Fine Arts, Boston and Goya y Lucientes, Francisco of Spanish from 1746-1828

1-46 of 46
Two Hunters (Studies for two tapestry panels in the dining room of the Princes of Asturias in the Royal Palace of San Lorenzo del Escorial)
Francisco Goya y Lucien...
Two Hunters (Studies fo...
By 1775
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Two Hunters (Studies for two tapestry panels in the dining room of the Princes of Asturias in the Royal Palace of San Lorenzo del Escorial)
Creation Date
By 1775
AMICA Contributor
Museum of Fine Arts, Boston
Balthasar Carlos, Prince of Spain, on Horseback
Francisco Goya y Lucien...
Balthasar Carlos, Princ...
1778
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Balthasar Carlos, Prince of Spain, on Horseback
Creation Date
1778
AMICA Contributor
Museum of Fine Arts, Boston
Asta su abuelo. (And so was his grandfather); Plate 39 from the series "Los Caprichos"
Francisco Goya y Lucien...
Asta su abuelo. (And so...
Drawn and etched 1797-1...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Asta su abuelo. (And so was his grandfather); Plate 39 from the series "Los Caprichos"
Creation Date
Drawn and etched 1797-1798, published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Ni mas ni menos. (Neither more nor less); Plate 41 from the series "Los Caprichos"
Francisco Goya y Lucien...
Ni mas ni menos. (Neith...
Drawn and etched, 1797-...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Ni mas ni menos. (Neither more nor less); Plate 41 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Tu que no puede. (You who cannot); Plate 42 from the series "Los Caprichos"
Francisco Goya y Lucien...
Tu que no puede. (You w...
Drawn and etched, 1797-...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Tu que no puede. (You who cannot); Plate 42 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Correcion. (Corrrection); Plate 46 from the series "Los Caprichos"
Francisco Goya y Lucien...
Correcion. (Corrrection...
Drawn and etched, 1797-...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Correcion. (Corrrection); Plate 46 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Soplones. (Tale-bearers - Blasts of wind); Plate 48 from the series "Los Caprichos"
Francisco Goya y Lucien...
Soplones. (Tale-bearers...
Drawn and etched, 1797-...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Soplones. (Tale-bearers - Blasts of wind); Plate 48 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Los Chinchillas. (The Chinchillas); Plate 50 from the series "Los Caprichos"
Francisco Goya y Lucien...
Los Chinchillas. (The C...
Drawn and etched, 1797-...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Los Chinchillas. (The Chinchillas); Plate 50 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Que pico de Oro. (What a golden beak); Plate 53 from the series "Los Caprichos"
Francisco Goya y Lucien...
Que pico de Oro. (What ...
Drawn and etched, 1797-...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Que pico de Oro. (What a golden beak); Plate 53 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Hasta la muerte. (Until Death); Plate 55 from the series "Los Caprichos"
Francisco Goya y Lucien...
Hasta la muerte. (Until...
Drawn and etched, 1797-...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Hasta la muerte. (Until Death); Plate 55 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Quien lo creyera! (Who would have thought it?); Plate 62 from the series "Los Caprichos"
Francisco Goya y Lucien...
Quien lo creyera! (Who ...
Drawn and etched, 1797-...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Quien lo creyera! (Who would have thought it?); Plate 62 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Linda maestra! (Pretty teacher!); Plate 68 from the series "Los Caprichos"
Francisco Goya y Lucien...
Linda maestra! (Pretty ...
Drawn and etched, 1797-...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Linda maestra! (Pretty teacher!); Plate 68 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Devota profesion. (Devout profession); Plate 70 from the series "Los Caprichos"
Francisco Goya y Lucien...
Devota profesion. (Devo...
Drawn and etched, 1797-...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Devota profesion. (Devout profession); Plate 70 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Si amenece; nos Vamos. (When day breaks, we will be off); Plate 71 from the series "Los Caprichos"
Francisco Goya y Lucien...
Si amenece; nos Vamos. ...
Drawn and etched, 1797-...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Si amenece; nos Vamos. (When day breaks, we will be off); Plate 71 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
¿No hay quien nos desate? (Can't anyone untie us?); Plate 75 from the series "Los Caprichos"
Francisco Goya y Lucien...
¿No hay quien nos desat...
Drawn and etched, 1797-...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
¿No hay quien nos desate? (Can't anyone untie us?); Plate 75 from the series "Los Caprichos"
Creation Date
Drawn and etched, 1797-1798; published 1799
AMICA Contributor
Museum of Fine Arts, Boston
Blind Man Tossed on the Horns of a Bull (A VEUGLE ENLEVE SUR LES CORNES D'UN TAUREAU)
Francisco Goya y Lucien...
Blind Man Tossed on the...
1800-04
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Blind Man Tossed on the Horns of a Bull (A VEUGLE ENLEVE SUR LES CORNES D'UN TAUREAU)
Creation Date
1800-04
AMICA Contributor
Museum of Fine Arts, Boston
Con razon ó sin ella. (Rightly or Wrongly); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 2.
Francisco Goya y Lucien...
Con razon ó sin ella. (...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Con razon ó sin ella. (Rightly or Wrongly); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 2.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Las mugeres dan valor. (The women give courage); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 4.
Francisco Goya y Lucien...
Las mugeres dan valor. ...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Las mugeres dan valor. (The women give courage); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 4.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Bien te se está. (It serves you right); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 6.
Francisco Goya y Lucien...
Bien te se está. (It se...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Bien te se está. (It serves you right); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 6.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Para eso habeis nacido. (This is what you were born for); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 12.
Francisco Goya y Lucien...
Para eso habeis nacido....
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Para eso habeis nacido. (This is what you were born for); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 12.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Para eso habeis nacido. (This is what you were born for); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 12.
Francisco Goya y Lucien...
Para eso habeis nacido....
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Para eso habeis nacido. (This is what you were born for); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 12.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Amarga presencia. (Bitter presence); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 13.
Francisco Goya y Lucien...
Amarga presencia. (Bitt...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Amarga presencia. (Bitter presence); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 13.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.
Francisco Goya y Lucien...
No se convienen. (They ...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Enterrar y callar. (Bury them and keep quiet); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 18.
Francisco Goya y Lucien...
Enterrar y callar. (Bur...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Enterrar y callar. (Bury them and keep quiet); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 18.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Será lo mismo. (It will be the same); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 21.
Francisco Goya y Lucien...
Será lo mismo. (It will...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Será lo mismo. (It will be the same); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 21.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Aun podrán servir. (They can still be of use); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 24.
Francisco Goya y Lucien...
Aun podrán servir. (The...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Aun podrán servir. (They can still be of use); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 24.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
También estos. (These, too); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 25.
Francisco Goya y Lucien...
También estos. (These, ...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
También estos. (These, too); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 25.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Lo merecia. (He deserved it); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 29.
Francisco Goya y Lucien...
Lo merecia. (He deserve...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Lo merecia. (He deserved it); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 29.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Fuerte cosa es! (This is too much); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 31.
Francisco Goya y Lucien...
Fuerte cosa es! (This i...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Fuerte cosa es! (This is too much); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 31.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Por qué? (Why?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 32.
Francisco Goya y Lucien...
Por qué? (Why?); Fatale...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Por qué? (Why?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 32.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Por una navaja. (For [carrying] a knife); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 34.
Francisco Goya y Lucien...
Por una navaja. (For [c...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Por una navaja. (For [carrying] a knife); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 34.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
Francisco Goya y Lucien...
No se puede saber por q...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
Creation Date
Drawn and etched about 1810-1814; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Curarlos, y á otra. (Take care of them and on to the next); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 20.
Francisco Goya y Lucien...
Curarlos, y á otra. (Ta...
Etched 1810; whole seri...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Curarlos, y á otra. (Take care of them and on to the next); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 20.
Creation Date
Etched 1810; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Tanto y más. (All this and more); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 22.
Francisco Goya y Lucien...
Tanto y más. (All this ...
Etched 1810; whole seri...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Tanto y más. (All this and more); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 22.
Creation Date
Etched 1810; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Tanto y más. (All this and more); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 22.
Francisco Goya y Lucien...
Tanto y más. (All this ...
Etched 1810; whole seri...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Tanto y más. (All this and more); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 22.
Creation Date
Etched 1810; whole series first published posthumously 1863
AMICA Contributor
Museum of Fine Arts, Boston
Modo con que los antiguos españoles cazaban los toros á caballo en el campo. (The way in which the ancient Spaniards hunted bulls on horseback in the open country); from the series "Tauromaquia" (Bullfighting), plate 1
Francisco Goya y Lucien...
Modo con que los antigu...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Modo con que los antiguos españoles cazaban los toros á caballo en el campo. (The way in which the ancient Spaniards hunted bulls on horseback in the open country); from the series "Tauromaquia" (Bullfighting), plate 1
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Otro modo de cazar á pie. (Another way of hunting on foot); from the series "Tauromaquia" (Bullfighting), plate 2
Francisco Goya y Lucien...
Otro modo de cazar á pi...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Otro modo de cazar á pie. (Another way of hunting on foot); from the series "Tauromaquia" (Bullfighting), plate 2
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18
Francisco Goya y Lucien...
Temeridad de Martincho ...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Francisco Goya y Lucien...
Pepe Illo haciendo el r...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Creation Date
Drawn and etched about 1815-1816; published 1816
AMICA Contributor
Museum of Fine Arts, Boston
Disparate de Carnabal (Carnival Folly); from the "Disparates" series, plate 14
Francisco Goya y Lucien...
Disparate de Carnabal (...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Disparate de Carnabal (Carnival Folly); from the "Disparates" series, plate 14
Creation Date
Drawn and etched about 1815-1817; printed about 1848-1854
AMICA Contributor
Museum of Fine Arts, Boston
Disparate Claro (Evident Folly); from the "Disparates" series, plate 15
Francisco Goya y Lucien...
Disparate Claro (Eviden...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Disparate Claro (Evident Folly); from the "Disparates" series, plate 15
Creation Date
Drawn and etched about 1815-1817; printed about 1848-1854
AMICA Contributor
Museum of Fine Arts, Boston
Disparate Pobre (Poor Folly); from the "Disparates" series, plate 11
Francisco Goya y Lucien...
Disparate Pobre (Poor F...
Drawn and etched about ...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Disparate Pobre (Poor Folly); from the "Disparates" series, plate 11
Creation Date
Drawn and etched about 1815-1817; printed about 1848-1854
AMICA Contributor
Museum of Fine Arts, Boston
Disparate de Tontos (Fool's Folly); plate from the "Disparates" (Follies) series, published in "L'Art", 1877
Francisco Goya y Lucien...
Disparate de Tontos (Fo...
Drawn and etched 1815-1...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Disparate de Tontos (Fool's Folly); plate from the "Disparates" (Follies) series, published in "L'Art", 1877
Creation Date
Drawn and etched 1815-1817; printed 1877
AMICA Contributor
Museum of Fine Arts, Boston
Disparate puntual (Precise Folly); plate from the "Disparates" (Follies) series, published in "L'Art", 1877
Francisco Goya y Lucien...
Disparate puntual (Prec...
Drawn and etched 1815-1...
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Disparate puntual (Precise Folly); plate from the "Disparates" (Follies) series, published in "L'Art", 1877
Creation Date
Drawn and etched 1815-1817; printed 1877
AMICA Contributor
Museum of Fine Arts, Boston
Picador Caught by a Bull; from the so-called "Bulls of Bordeaux" series of four lithographs
Francisco Goya y Lucien...
Picador Caught by a Bul...
1825
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Picador Caught by a Bull; from the so-called "Bulls of Bordeaux" series of four lithographs
Creation Date
1825
AMICA Contributor
Museum of Fine Arts, Boston
Bullfight in a Divided Ring; from the so-called "Bulls of Bordeaux" series of four lithographs
Francisco Goya y Lucien...
Bullfight in a Divided ...
1825
Museum of Fine Arts, Bo...
 
Creator Name-CRT
Francisco Goya y Lucientes
Title
Bullfight in a Divided Ring; from the so-called "Bulls of Bordeaux" series of four lithographs
Creation Date
1825
AMICA Contributor
Museum of Fine Arts, Boston
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